Career
In 1998 he wrote and produced under the name X-Treme the European hit "Love Song", that achieved the gold record status in several territories.
In 1999 he wrote, sang and produced under the name Eyes Cream the Billboard US #1 hit "Fly Away (Bye Bye)".
In 2002 he worked with fellow Italian DJ/producer Gigi d'Agostino on his composition "Put On Your Red Shoes". The record, released under his nickname Ago, became the #1 summer dance hit in Italy and hit the Top 20 sales chart in Germany and the Top 10 in Scandinavia.
He has also co-produced Snap!'s hit "The Power of Bhangra" and worked as remixer for artists such as Roxette and Vasco Rossi.
In 2004 he wrote and produced the club anthem entitled "To The Club", which became the club track of the year according to many magazines and topped the dance charts all over the world.
In 2005 he produced a project called Jumpy that hit the French and Belgium Top 40 sales chart.
In 2007 he wrote and produced the song "Come Vasco Rossi", which was performed by his daughters Gaia & Luna and became the top selling single in Italy for five weeks, and the third most downloaded track of the year.
In 2008 he became the third official Elvis Presley's remixer in history when his remix of "Baby Let's Play House" was released worldwide, topping the charts in several Countries.
At the end of 2008, SonyBMG UK released the first Elvis Presley's remix album called "Re:Versions", supported by the Elvis Presley Estate, and entirely produced by Agostino Carollo.
On October 30, 2009 the new Elvis Presley "Re:Mixes" album, produced by Agostino Carollo aka Spankox and supported by the Elvis Presley Estate, was released on a new media called VinylDISC (CD+Vinyl in one).
He has been performing as DJ in several of the best clubs in the world, and more recently he has been Saturday's resident guest DJ at Mallorca's superclub BCM.
During the summer of 2010 his record "So True", released as Spankox, hit the charts in Spain. A few months later it was licensed to the legendary New York based record label Nervous Records that released it in the USA under the name Ago. The record got immediately a fantastic reaction and reached on March 19, 2011 the n. 10 of the Billboard USA Dance Radio Airplay Chart. It remained in the Top 50 for more than three months.
On April 9, 2011 his new record "Michael Jackson Is Not Dead" reached the n.6 in the UK House Chart and n. 14 in the DMC World House Chart. In July 2011 it reached the n.1 of the UK album charts included in the compilation "Clubland 19" as a special mash up with "45" by Stars.
In August 2011 the new Elvis Presley "Re:Volution" album produced by Agostino Carollo aka Spankox was released receiving excellent reviews.
In October 2011 he produced and co-wrote a new single for Eddy Wata, entitled "Senorita".
In February 2012 a new Elvis Presley remix album entitles "Re:Loaded" was released, produced by Agostino Carollo aka Spankox, including ten remixes. The album was immediately billed by Elvis fans "the best Elvis Presley remix album ever".
In February 2012 a cooperation with the Spanish king of pop Miguel Bosé lead to the release of the single "Wrong In The Right Way" by Spankox & Miguel Bosé. The song was entirely written and produced by Agostino Carollo.
Agostino "Ago" Carollo has been working as producer of the movie "MIAMI II IBIZA" that will be released in the summer of 2012.
Agostino Carollo is also the owner of the record label Everness and the producer and artistic director of several events. Among these, two of Europe's major Music & Arts Festivals, Vivalago and EX.
Read more about this topic: Agostino Carollo
Famous quotes containing the word career:
“Like the old soldier of the ballad, I now close my military career and just fade away, an old soldier who tried to do his duty as God gave him the light to see that duty. Goodbye.”
—Douglas MacArthur (1880–1964)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)