Culture
Afro-Ecuadorian culture may be analysed by considering the two main centers of historical presence: the province of Esmeraldas, and the Chota Valley.
Marimba music comes from Esmeraldas, and gets its name from the prominent use of marimbas, along with drums and other instruments specific to this region such as the bombo, the cununo and the wasa. Sometimes this music is played in religious ceremonies, as well as in celebrations and parties. It features call and response chanting along with the music. Some of the rhythms associated with it are currulao, bambuco and andarele.
On the other hand, in the Chota Valley there is bomba music. This music is very different from marimba, having a more prominent Spanish, mestizo and indigenous influence. It can vary from mid tempo to a very fast rhythm. It is usually played with guitars, as well as the main local instrument called bomba, which is a drum, along with a guiro, and sometimes bombos and bongos. A variation of it played by la banda mocha, groups who play bomba with a bombo, guiro and plant leaves to give melody.
Religious practice among afro-Ecuadorians is usually Roman Catholic. There is no significant African cult, although Catholic worship is distinctive in Esmeraldas, and sometimes is done with marimba music.
Read more about this topic: Afro Ecuadorian
Famous quotes containing the word culture:
“As the traveler who has once been from home is wiser than he who has never left his own doorstep, so a knowledge of one other culture should sharpen our ability to scrutinize more steadily, to appreciate more lovingly, our own.”
—Margaret Mead (19011978)
“Our culture still holds mothers almost exclusively responsible when things go wrong with the kids. Sensing this ultimate accountability, women are understandably reluctant to give up control or veto power. If the finger of blame was eventually going to point in your direction, wouldnt you be?”
—Ron Taffel (20th century)
“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writinghe will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
—Lionel Trilling (19051975)