African Burial Ground National Monument at Duane Street and African Burial Ground Way (Elk Street) in Lower Manhattan (New York City) preserves a site containing the remains of more than 400 Africans buried during the late 17th and 18th centuries in a portion of what was the largest colonial-era cemetery for people of African descent, some free, most enslaved. Historians estimate there may have been 15,000-20,000 burials in what was called the "Negroes Burial Ground" in the 1700s. The site's excavation and study was called "the most important historic urban archeological project in the United States."
The discovery highlighted the forgotten history of African slaves in colonial and federal New York City, who were integral to its development. By the American Revolutionary War, they constituted nearly a quarter of the population in the city, which had the second largest number of slaves in the nation after Charleston, South Carolina. Scholars and African-American civic activists joined to publicize the importance of the site and lobby for its preservation. In 1993 the site was designated a National Historic Landmark and in 2006 a National Monument.
In 2003 Congress appropriated funds for a memorial at the site and directed redesign of the federal building to allow for this. A design competition attracted more than 60 proposals for a design. The memorial was dedicated in 2007 to commemorate the role of Africans and African Americans in colonial and federal New York City, and in United States history. A visitor center opened in 2010 to provide interpretation of the site and African-American history in New York.
Read more about African Burial Ground National Monument: Africans and African Americans in New York City, "Negros Burial Ground", Discovery of Site and Controversy, African Burial Ground Studies, Memorial, Visitor Center, Legacy
Famous quotes containing the words african, burial, ground, national and/or monument:
“Kitsch ... is one of the major categories of the modern object. Knick-knacks, rustic odds-and-ends, souvenirs, lampshades, and African masks: the kitsch-object is collectively this whole plethora of trashy, sham or faked objects, this whole museum of junk which proliferates everywhere.... Kitsch is the equivalent to the cliché in discourse.”
—Jean Baudrillard (b. 1929)
“On the beach at night,
Stands a child with her father,
Watching the east, the autumn sky.
Up through the darkness,
While ravening clouds, the burial clouds, in black masses spreading,
Lower sullen and fast athwart and down the sky,”
—Walt Whitman (18191892)
“A sign, or representamen, is something which stands to somebody for something in some respect or capacity. It addresses somebody, that is, creates in the mind of that person an equivalent sign, or perhaps a more developed sign. That sign which it creates I call the interpretant of the first sign. The sign stands for something, its object. It stands for that object, not in all respects, but in reference to a sort of idea, which I have sometimes called the ground of the representamen.”
—Charles Sanders Peirce (18391914)
“I foresee the time when the painter will paint that scene, no longer going to Rome for a subject; the poet will sing it; the historian record it; and, with the Landing of the Pilgrims and the Declaration of Independence, it will be the ornament of some future national gallery, when at least the present form of slavery shall be no more here. We shall then be at liberty to weep for Captain Brown. Then, and not till then, we will take our revenge.”
—Henry David Thoreau (18171862)
“It is remarkable that the dead lie everywhere under stones.... Why should the monument be so much more enduring than the fame which it is designed to perpetuate,a stone to a bone? Here lies,MHere lies;Mwhy do they not sometimes write, There rises? Is it a monument to the body only that is intended?”
—Henry David Thoreau (18171862)