Performance, Competition and Social Dance
In a dance culture there is often no distinction between 'dance' spaces and 'non-dances spaces'. Dance and rhythmic movement are as much a part of everyday life as language. In many cases dance has played a more central role than literacy (especially during slavery), particularly in the communication of history, tradition and culture between generations, much as has oral culture. Competition has long played an important role in social dance in African and African American social dance, from the 'battles' of hip hop and lindy hop to the cakewalk. Performances have also been integrated into everyday dance life, from the relationship between performance and social dancing in tap dancing to the 'shows' held at Harlem ball rooms in the 1930s.
Here's a demonstration and explanation of the roots of African-American social dance by Thomas F. DeFrantz, a professor of dance and African American studies at Duke University.
Read more about this topic: African-American Dance
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“Yes, dance. Dance and dream. Dream that youre Mrs. Henry Jekyll of Harley Street, dancing with your own butler and six footmen. Dream that theyve all turned into white mice and crawled into an eternal pumpkin.”
—John Lee Mahin (19021984)