Performance, Competition and Social Dance
In a dance culture there is often no distinction between 'dance' spaces and 'non-dances spaces'. Dance and rhythmic movement are as much a part of everyday life as language. In many cases dance has played a more central role than literacy (especially during slavery), particularly in the communication of history, tradition and culture between generations, much as has oral culture. Competition has long played an important role in social dance in African and African American social dance, from the 'battles' of hip hop and lindy hop to the cakewalk. Performances have also been integrated into everyday dance life, from the relationship between performance and social dancing in tap dancing to the 'shows' held at Harlem ball rooms in the 1930s.
Here's a demonstration and explanation of the roots of African-American social dance by Thomas F. DeFrantz, a professor of dance and African American studies at Duke University.
Read more about this topic: African-American Dance
Famous quotes containing the words competition, social and/or dance:
“Like many businessmen of genius he learned that free competition was wasteful, monopoly efficient. And so he simply set about achieving that efficient monopoly.”
—Mario Puzo (b. 1920)
“The earth is ready, the time is ripe, for the authoritative expression of the feminine as well as the masculine interpretation of that common social consensus which is slowly writing justice in the State and fraternity in the social order.”
—Anna Garlin Spencer (1851–1931)
“How do you expect to learn to dance when you have not even learned to walk! And above the dancer is still the flyer and his bliss.”
—Friedrich Nietzsche (1844–1900)