Aesthetics and The Philosophy of Art
Aesthetics is for the artist as Ornithology is for the birds.
— Barnett Newman
For some, aesthetics is considered a synonym for the philosophy of art since Hegel, while others insist that there is a significant distinction between these closely related fields. In practice aesthetic judgement refers to the sensory contemplation or appreciation of an object (not necessarily an art object), while artistic judgement refers to the recognition, appreciation or criticism of art or an art work.
Philosophical aesthetics has not only to speak about art and to produce judgments about art works, but has also to give a definition of what art is. Art is an autonomous entity for philosophy, because art deals with the senses (i. e. the etymology of aesthetics) and art is as such free of any moral or political purpose. Hence, there are two different conceptions of art in aesthetics : art as knowledge or art as action, but aesthetics is neither epistemology nor ethics.
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Famous quotes containing the words aesthetics, philosophy and/or art:
“Nothing is beautiful, except man alone: all aesthetics rests upon this naïveté, which is its first truth. Let us immediately add the second: nothing is ugly except the degenerating man—and with this the realm of aesthetic judgment is circumscribed.”
—Friedrich Nietzsche (1844–1900)
“The proper method of philosophy consists in clearly conceiving the insoluble problems in all their insolubility and then in simply contemplating them, fixedly and tirelessly, year after year, without any hope, patiently waiting.”
—Simone Weil (1909–1943)
“May we not assure ourselves that whatever woman’s thought and study shall embrace will thereby receive a new inspiration, that she will save science from materialism, and art from a gross realism; that the “eternal womanly shall lead upward and onward”?”
—Louisa Parsons Hopkins, U.S. scientist and author. As quoted in The Fair Women, ch. 16, by Jeanne Madeline Weimann (1981)