Adventures of a Young Man is a 1939 novel by John Dos Passos, which eventually became the first in this writer's District of Columbia Trilogy.
The novel, which tells of a disillusioned young American radical who fights on the side of the Second Spanish Republic during the Spanish Civil War and is killed during the war, is contemporary with Ernest Hemingway's For Whom the Bell Tolls, with its similar theme. Both books are the outcome of the 1937 visit of Dos Passos and Hemingway to Spain during which their friendship broke up in a sharp quarrel on political as well as personal grounds.
Critic George Packer in The New Yorker deplored the oblivion into which the Dos Passos book had fallen (mainly due to the rightwards political move of its author) and considered it as deserving of enduring fame as Hemingway's novel:
Hemingway’s romantic fable is in almost every way more compelling. But Dos Passos, in his dispirited and unblinking realism, was the one to convey what it meant to be alive in the nineteen-thirties.
Famous quotes containing the words young man, adventures of, adventures, young and/or man:
“Each had his past shut in him like the leaves of a book known to him by heart; and his friends could only read the title, James Spalding, or Charles Budgeon, and the passengers going the opposite way could read nothing at all—save “a man with a red moustache,” “a young man in grey smoking a pipe.””
—Virginia Woolf (1882–1941)
“The good critic is he who relates the adventures of his soul among masterpieces.”
—Anatole France (1844–1924)
“I have a vast deal to say, and shall give all this morning to my pen. As to my plan of writing every evening the adventures of the day, I find it impracticable; for the diversions here are so very late, that if I begin my letters after them, I could not go to bed at all.”
—Frances Burney (1752–1840)
“Some authorities hold that the young ought not to lie at all. That, of course, is putting it rather stronger than necessary; still, while I cannot go quite so far as that, I do maintain, and I believe I am right, that the young ought to be temperate in the use of this great art until practice and experience shall give them that confidence, elegance and precision which alone can make the accomplishment graceful and profitable.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“Since the Greeks, Western man has believed that Being, all Being, is intelligible, that there is a reason for everything ... and that the cosmos is, finally, intelligible. The Oriental, on the other hand, has accepted his existence within a universe that would appear to be meaningless, to the rational Western mind, and has lived with this meaninglessness. Hence the artistic form that seems natural to the Oriental is one that is just as formless or formal, as irrational, as life itself.”
—William Barrett (b. 1913)