Adelaide Hills Council

Adelaide Hills Council was established in 1997 by the amalgamation of four smaller district councils (East Torrens, Gumeracha, Onkaparinga and Stirling). It is in the hills east of Adelaide, the capital of South Australia, and extends from the South Para Reservoir in the north to the Mount Bold Reservoir in the south.

Towns east of Stirling and Bridgewater, including Hahndorf, are located in the Mount Barker DC.

The Adelaide Hills Council contains a total of 57 townships:

  • Aldgate
  • Ashton
  • Balhannah
  • Basket Range
  • Birdwood
  • Bradbury
  • Bridgewater
  • Carey Gully
  • Castambul
  • Chain Of Ponds
  • Charleston
  • Cherryville
  • Crafers West
  • Crafers
  • Cudlee Creek
  • Dorset Vale
  • Eagle On The Hill
  • Forest Range
  • Forreston
  • Gumeracha
  • Heathfield
  • Houghton
  • Inglewood
  • Inverbrackie
  • Ironbank
  • Kenton Valley
  • Kersbrook
  • Lenswood
  • Lobethal
  • Longwood
  • Lower Hermitage
  • Marble Hill
  • Montacute
  • Mount Lofty
  • Mount Torrens
  • Mylor
  • Norton Summit
  • Oakbank
  • Paracombe
  • Piccadilly
  • Scott Creek
  • Stirling
  • Summertown
  • Upper Hermitage
  • Upper Sturt
  • Uraidla
  • Verdun
  • Woodforde
  • Woodside

Famous quotes containing the words hills and/or council:

    In it he proves that all things are true and states how the truths of all contradictions may be reconciled physically, such as for example that white is black and black is white; that one can be and not be at the same time; that there can be hills without valleys; that nothingness is something and that everything, which is, is not. But take note that he proves all these unheard-of paradoxes without any fallacious or sophistical reasoning.
    Savinien Cyrano De Bergerac (1619–1655)

    I haven’t seen so much tippy-toeing around since the last time I went to the ballet. When members of the arts community were asked this week about one of their biggest benefactors, Philip Morris, and its requests that they lobby the New York City Council on the company’s behalf, the pas de deux of self- justification was so painstakingly choreographed that it constituted a performance all by itself.
    Anna Quindlen (b. 1952)