Colleges, Libraries and Cultural Institutions
- 1869 Parrish Hall, Swarthmore College's first building, Swarthmore, PA
- 1870–78 Ridgway Library (Library Company of Philadelphia), Broad & Christian Sts., Philadelphia, PA (now Philadelphia High School for the Creative and Performing Arts)
- 1874 President's House, Swarthmore College, Swarthmore, PA
- 1874 Women's Medical College of Pennsylvania, Philadelphia, PA
- 1875 Barclay Hall, Haverford College, Haverford, PA
- 1876 Linderman Library, Lehigh University, Bethlehem, PA
- 1878 Public Library, Johnstown, PA (destroyed by the 1889 Johnstown Flood)
- 1879–84 Taylor Hall, Bryn Mawr College, Bryn Mawr, PA
- 1879–84 Merion Hall, Bryn Mawr College, Bryn Mawr, PA
- 1882 Mauch Chunk Opera House, 14 W. Broadway, Jim Thorpe, PA
- 1882 Coppee Hall Gymnasium, Lehigh University, Bethlehem, PA
- 1884–85 Chandler Chemistry Laboratory, Lehigh University, Bethlehem, PA
- 1885 Packer Memorial Chapel, Lehigh University, Bethlehem, PA
- 1885 Friends Select School, 16th & Cherry Sts., Philadelphia, PA
- 1886 Main Building, Westtown School, West Chester, PA
- 1889 Packer Hall Tower, Lehigh University, Bethlehem, PA
- 1890–92 Carnegie Library, Johnstown, PA (now the Johnstown Flood Museum)
- 1891 Renovations to Musical Fund Hall, The Musical Fund Society, 806 Locust St., Philadelphia, PA
- 1892 George School, Newtown, PA
- 1897–98 Vail Memorial Library, Lincoln University, Oxford, PA
- 1902 Historical Society of Pennsylvania, 1300 Locust St., Philadelphia, PA
Read more about this topic: Addison Hutton, Architectural Works (Partial Listing)
Famous quotes containing the words institutions, cultural and/or libraries:
“... a nation to be strong, must be united; to be united, must be equal in condition; to be equal in condition, must be similar in habits and feeling; to be similar in habits and feeling, must be raised in national institutions as the children of a common family, and citizens of a common country.”
—Frances Wright (1795–1852)
“A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.”
—Jacques Barzun (b. 1907)
“riding flatcars to Fresno,
Across the whole country
Steep towns, flat towns, even New York,
And oceans and Europe & libraries & galleries
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—Gary Snyder (b. 1930)