Film
- 1914: Anna Karenina (1914 film), a Russian adaptation directed by Vladimir Gardin.
- 1915: Anna Karenina (1915 film), an American version starring Danish actress Betty Nansen.
- 1918: Anna Karenina (1918 film), a Hungarian adaptation directed by Márton Garas.
- 1927: Love (1927 film), an American version, starring Greta Garbo and directed by Edmund Goulding. This version featured significant changes from the novel and had two different endings, with a happy one for American audiences.
- 1935: Anna Karenina (1935 film), the most famous and critically acclaimed version, starring Greta Garbo and Fredric March and directed by Clarence Brown.
- 1948: Anna Karenina (1948 film) starring Vivien Leigh, Ralph Richardson and directed by Julien Duvivier.
- 1953: Anna Karenina (1953 film), a Russian version directed by Tatyana Lukashevich.
- 1960: Nahr al-Hob (River of Love), an Egyptian movie directed by Ezzel Dine Zulficar
- 1967: Anna Karenina (1967 film), a Russian version directed by Alexander Zarkhi.
- 1974: Anna Karenina (1974 film), a Russian version directed by Margarita Pilikhina.
- 1985: Anna Karenina (1985 film), a U.S. TV movie starring Jacqueline Bisset and Christopher Reeve, directed by Simon Langton.
- 1997: Anna Karenina (1997 film), the first American version to be filmed on location in Russia, directed by Bernard Rose and starring Sophie Marceau and Sean Bean.
- see also Anna Karenina (soundtrack), the soundtrack of the 1997 film
- 2012: Anna Karenina (2012 film), a British version by Joe Wright and starring Keira Knightley.
Read more about this topic: Adaptations Of Anna Karenina
Famous quotes containing the word film:
“I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you’re making a horror film doesn’t mean you can’t make an artful film.”
—David Cronenberg (b. 1943)
“Film is more than the twentieth-century art. It’s another part of the twentieth-century mind. It’s the world seen from inside. We’ve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if there’s anything about us more important than the fact that we’re constantly on film, constantly watching ourselves.”
—Don Delillo (b. 1926)
“This film is apparently meaningless, but if it has any meaning it is doubtless objectionable.”
—British Board Of Film Censors. Quoted in Halliwell’s Filmgoer’s Companion (1984)