Acquainted With The Night (book) - Background

Background

At the time of Acquainted with the Night's writing, author and poet Christopher Dewdney was 52 years old and living in Toronto with his wife, Barbara Gowdy. He had previously written 14 books, the last being the 2002 book of poetry, The Natural History. His previous non-fiction books were Last Flesh: Life in the Transhuman Era (1998) on the impacts of technological advances on humanism, The Secular Grail: Paradigms of Perception (1993) regarding the human psyche, and The Immaculate Perception (1986) on his views of consciousness, language and dreams. Dewdney's past books were described as being "more admired than read". On the topic of 'the night', he had a lifelong fascination with nightlife and eventually decided to write a book about it. He quickly became overwhelmed by the amount of information relating to the subject. For research, he consulted a variety of genres and formats, including books, journals, magazines, music, and movies, and collected information within the broad topics of art, science, social sciences and history. The perspective Dewdney took was that of "explaining night to beings from another planet that had two opposed suns and no night at all".

Read more about this topic:  Acquainted With The Night (book)

Famous quotes containing the word background:

    ... every experience in life enriches one’s background and should teach valuable lessons.
    Mary Barnett Gilson (1877–?)

    I had many problems in my conduct of the office being contrasted with President Kennedy’s conduct in the office, with my manner of dealing with things and his manner, with my accent and his accent, with my background and his background. He was a great public hero, and anything I did that someone didn’t approve of, they would always feel that President Kennedy wouldn’t have done that.
    Lyndon Baines Johnson (1908–1973)

    Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.
    Henry David Thoreau (1817–1862)