Plot
The plot revolves around the original (fictional) actors reprising their roles from stage; however, contrary to their wishes, the experimental director adapts it into a gritty commentary on British suburban life, despite the fact that the cast (led by Bo Beaumont (Julie Walters)) want to just have a fun piece with a good tap number. After a disastrous open dress rehearsal, the cast hijack the concept to return it to its original roots, and take it to the West End, funded by Bo Beaumont's lottery win.
The second act is the musical within the musical, and is much more like the original series. Miss Babs (Celia Imrie) and Miss Berta (Sally Ann Triplett) run "Acorn Antiques", and are aided and amused by their friends and cleaner: Mrs Overall (Walters) and Mr Clifford (Duncan Preston). Soon, they discover a third sister, Bonnie (Josie Lawrence) who is initially scheming and devious (for instance, she fires Mrs Overall, even after finding out she's her mother). The plot unfolds, the sisters are faced with financial woes, and family secrets. The show ends with the triumphant return of Mrs Overall, a windfall, and the unition of Miss Bertha and Mr Clifford. All is well in Manchesterford.
Read more about this topic: Acorn Antiques: The Musical!
Famous quotes containing the word plot:
“Trade and the streets ensnare us,
Our bodies are weak and worn;
We plot and corrupt each other,
And we despoil the unborn.”
—Ralph Waldo Emerson (1803–1882)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)