Accession Day Tilt - Origins

Origins

Sir Henry Lee of Ditchley, Queen's Champion, devised the Accession Day tilts, which became the most important Elizabethan court festival from the 1580s. The celebrations are likely to have begun somewhat informally in the early 1570s. By 1581, the Queen's Day tilts "had been deliberately developed into a gigantic public spectacle eclipsing every other form of court festival", with thousands in attendance; the public were admitted for a small charge. Lee himself oversaw the annual festivities until he retired as Queen's Champion at the tilt of 1590, handing over the role to George Clifford, 3rd Earl of Cumberland. Following Lee's retirement, orchestration of the tilts fell to the Earl of Worcester in his capacity of Master of Horse and to the queen's favourite, the Earl of Essex, although Lee remained as a sort of Master of Ceremonies at the request of the queen.

The pageants were held at the tiltyard at the Palace of Whitehall, where the royal party viewed the festivities from the Tiltyard Gallery. The Office of Works constructed a platform with staircases below the gallery to facilitate presentations to the queen.

Read more about this topic:  Accession Day Tilt

Famous quotes containing the word origins:

    Lucretius
    Sings his great theory of natural origins and of wise conduct; Plato
    smiling carves dreams, bright cells
    Of incorruptible wax to hive the Greek honey.
    Robinson Jeffers (1887–1962)

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)

    The origins of clothing are not practical. They are mystical and erotic. The primitive man in the wolf-pelt was not keeping dry; he was saying: “Look what I killed. Aren’t I the best?”
    Katharine Hamnett (b. 1948)