Academy Award For Best Costume Design - History

History

The Academy Award for Best Costume Design was first given out at the 21st Academy Awards, held on March 24, 1949. The award had two subcategories, one for Black and white film and one for films in color. At the 30th Academy Awards, held on March 26, 1958, these two subcategories were merged into one, which was the result of the Academy reducing the number of competitive categories from 30 to 24. The 32nd Academy Awards saw the category again be split into two for recognition of both Black and white and color film. Eight years later, the Academy Award for Best Costume Design, along with two other awards, were each combined into their own single category recognizing achievement in film.

From 1949 to 1966, most Academy Awards for Best Costume Design in Black and White were given to a contemporary movie. On the other hand, epics, fantasies, and musicals dominated the color category. Since the merger into one singular category for color films in 1967, films set in modern times have won only twice, despite the majority of those nominated being contemporary.

Read more about this topic:  Academy Award For Best Costume Design

Famous quotes containing the word history:

    History ... is, indeed, little more than the register of the crimes, follies, and misfortunes of mankind.
    But what experience and history teach is this—that peoples and governments have never learned anything from history, or acted on principles deduced from it.
    Georg Wilhelm Friedrich Hegel (1770–1831)

    History does nothing; it does not possess immense riches, it does not fight battles. It is men, real, living, who do all this.... It is not “history” which uses men as a means of achieving—as if it were an individual person—its own ends. History is nothing but the activity of men in pursuit of their ends.
    Karl Marx (1818–1883)

    The best history is but like the art of Rembrandt; it casts a vivid light on certain selected causes, on those which were best and greatest; it leaves all the rest in shadow and unseen.
    Walter Bagehot (1826–1877)