Early Productions
Interest in Above & Beyond soon emerged from established trance labels and new remixes were requested: the trio remixed Aurora's "Ordinary World", Fragma's "Everytime You Need Me", Perpetuous Dreamer's "The Sound of Goodbye" and Adamski's "In the City". These tracks served as the foundation for Above & Beyond's reputation as one of the UK's leading vocal trance remixers.
Above & Beyond's most famous remix was for Madonna's single "What It Feels Like for a Girl". Madonna was so impressed by the remix that the music video for her song was shot to the Above & Beyond remix instead of the album version. Later, Above & Beyond did remixes for Delerium, Three Drives and J-pop artist Ayumi Hamasaki.
Above & Beyond soon began collaborating with other artists, giving birth to a new production project named OceanLab (Above & Beyond with Justine Suissa) as well as collaborations with Andy Moor and vocalists Carrie Skipper, Ashley Tomberlin, Zoë Johnston and Richard Bedford.
Late in 2003 they remixed Tomcraft's "Loneliness", Motorcycle's "As the Rush Comes", as well as being asked back by Madonna to remix "Nobody Knows Me". Other remixes included Britney Spears's single "Everytime", Dido's song "Sand In My Shoes" and Delerium's "Silence".
Read more about this topic: Above & Beyond (band)
Famous quotes containing the words early and/or productions:
“Long before I wrote stories, I listened for stories. Listening for them is something more acute than listening to them. I suppose it’s an early form of participation in what goes on. Listening children know stories are there. When their elders sit and begin, children are just waiting and hoping for one to come out, like a mouse from its hole.”
—Eudora Welty (b. 1909)
“Most new things are not good, and die an early death; but those which push themselves forward and by slow degrees force themselves on the attention of mankind are the unconscious productions of human wisdom, and must have honest consideration, and must not be made the subject of unreasoning prejudice.”
—Thomas Brackett Reed (1839–1902)