Critical Response
After the second version of Abimelech ran at the Covent-Garden, a reviewer in The Theatrical Review claimed that the oratorio was changed "greatly for the better". Another review in The Theatrical Review claimed that Abimelech was "a very pleasing Oratorio, though there is great sameness in the songs, but the chorusses are masterly and grand". Later, Thomas Busby claimed that "the applause obtained by this his second oratorical production, established the reputation of its composer ".
The Monthly Review and Critical Review ignored Abimelech, which prompted Arthur Sherbo, a later critic, to claim that they "were kind to Smart and Arnold" for their silence. Another later critic, Moira Dearnley, said, "devotion and human relationships is uneasy, not to say ridiculous." Another critic, Frances Anderson, puts it bluntly: "it was not reprinted and seemed of mediocre quality". However, this turned out to be untrue.
Read more about this topic: Abimelech (oratorio)
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