Style
Livy wrote in a mixture of annual chronology and narrative—often having to interrupt a story to announce the elections of new consuls. Collins defines the "annalistic method" as "naming the public officers and recording the events of each succeeding year." It is an expansion of the fasti, the official public chronicle kept by the magistrates, which was a primary source for Roman historians. Those who seem to have been more influenced by the method have been termed annalists.
The first and third decades of Livy's work are written so well that Livy has become a sine qua non of curricula in Golden Age Latin. Subsequently the quality of his writing began to decline. He contradicts himself and becomes repetitious and wordy. Of the 91st book Niebuhr says "repetitions are here so frequent in the small compass of four pages and the prolixity so great, that we should hardly believe it to belong to Livy...." Niebuhr accounts for the decline by supposing "the writer has grown old and become loquacious...," going so far as to conjecture that the later books were lost because copyists refused to copy such low-quality work.
A digression in Book 9, Sections 17–19, suggests that the Romans would have beaten Alexander the Great if he had lived longer and had turned west to attack the Romans, making this digression the oldest known alternate history.
Read more about this topic: Ab Urbe Condita (book)
Famous quotes containing the word style:
“I would observe to you that what is called style in writing or speaking is formed very early in life while the imagination is warm, and impressions are permanent.”
—Thomas Jefferson (1743–1826)
“His style is eminently colloquial, and no wonder it is strange to meet with in a book. It is not literary or classical; it has not the music of poetry, nor the pomp of philosophy, but the rhythms and cadences of conversation endlessly repeated.”
—Henry David Thoreau (1817–1862)
“There are neither good nor bad subjects. From the point of view of pure Art, you could almost establish it as an axiom that the subject is irrelevant, style itself being an absolute manner of seeing things.”
—Gustave Flaubert (1821–1880)