A World Out of Time - Literary Significance and Reception

Literary Significance and Reception

New York Times reviewer Gerald Jonas wrote that, in a novel filled with wonders, "Niven describes everything in the toneless accents of a tour guide on a fall foliage caravan. . . . after a while, the wonders begin to blur together the reader begins to yearn for less matter and more art." Jerry L. Parsons in his review for the Library Journal said that A World Out of Time was reminiscent in parts of 2001: A Space Odyssey and To Your Scattered Bodies Go. He wrote, "a wonderfully escapist adventure, this story has a minimum of character development and description, but a maximum of excitement."

Geoff Ryman has described A World Out of Time as one of Niven's "hardest" works, but went on to specify that many of the concepts Niven used as plot points were "disintegrated by later research".

Robert Silverberg reviewed World unfavorably, terming it a "rambling, loose-jointed novel that seems to have assembled itself out of the handiest pieces in the heap while its author's attention was elsewhere." Richard A. Lupoff was similarly critical, saying Niven "starts out like a Saturn V and all too soon fizzles like a Vanguard. . . . this is either a novel that begins well and then goes dreadfully wrong or a cobbling together of several novelettes the first of which is a beauty and the others of which are stinkers."

Read more about this topic:  A World Out Of Time

Famous quotes containing the words literary, significance and/or reception:

    Literary works cannot be taken over like factories, or literary forms of expression like industrial methods. Realist writing, of which history offers many widely varying examples, is likewise conditioned by the question of how, when and for what class it is made use of.
    Bertolt Brecht (1898–1956)

    To grasp the full significance of life is the actor’s duty, to interpret it is his problem, and to express it his dedication.
    Marlon Brando (b. 1924)

    Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.
    Jonathan Swift (1667–1745)