Literary Significance and Reception
New York Times reviewer Gerald Jonas wrote that, in a novel filled with wonders, "Niven describes everything in the toneless accents of a tour guide on a fall foliage caravan. . . . after a while, the wonders begin to blur together the reader begins to yearn for less matter and more art." Jerry L. Parsons in his review for the Library Journal said that A World Out of Time was reminiscent in parts of 2001: A Space Odyssey and To Your Scattered Bodies Go. He wrote, "a wonderfully escapist adventure, this story has a minimum of character development and description, but a maximum of excitement."
Geoff Ryman has described A World Out of Time as one of Niven's "hardest" works, but went on to specify that many of the concepts Niven used as plot points were "disintegrated by later research".
Robert Silverberg reviewed World unfavorably, terming it a "rambling, loose-jointed novel that seems to have assembled itself out of the handiest pieces in the heap while its author's attention was elsewhere." Richard A. Lupoff was similarly critical, saying Niven "starts out like a Saturn V and all too soon fizzles like a Vanguard. . . . this is either a novel that begins well and then goes dreadfully wrong or a cobbling together of several novelettes the first of which is a beauty and the others of which are stinkers."
Read more about this topic: A World Out Of Time
Famous quotes containing the words literary, significance and/or reception:
“... the Ovarian Theory of Literature, or, rather, its complement, the Testicular Theory. A recent camp follower ... of this explicit theory is ... Norman Mailer, who has attributed his own gift, and the literary gift in general, solely and directly to the possession of a specific pair of organs. One writes with these organs, Mailer has said ... and I have always wondered with what shade of ink he manages to do it.”
—Cynthia Ozick (b. 1928)
“The hysterical find too much significance in things. The depressed find too little.”
—Mason Cooley (b. 1927)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)