Date
Scholars generally agree that the existing text of the play is a Massinger revision of an earlier work, though they disagree as to whether that earlier version was a Fletcher/Massinger collaboration or a work by Fletcher alone. (Cyrus Hoy favored the latter view.) So the original must have predated Fletcher's death in 1625; lacking hard data on this point, scholars have estimated a date of authorship in the 1619–22 period. The play entered the historical record when it was licensed for performance by Sir Henry Herbert, the Master of the Revels, on 6 June 1634; it is not improbable that Massinger's revision of the text shortly preceded that licensing. No firm information on the play's early stage history has survived; it is more likely than not that the play was acted by the King's Men, the company that performed most of the solo works of Fletcher and Massinger and their collaborations as well.
Early in the Restoration era, A Very Woman received a revival production in Oxford (1661).
Read more about this topic: A Very Woman
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