A Trick to Catch the Old One is a Jacobean comedy written by Thomas Middleton, first published in 1608. The play is a satire in the sub-genre of city comedy.
The play was entered into the Stationers' Register on 7 October 1607 by the printer George Eld, and published by him in quarto in the following year, 1608. The title page of Q1 states that A Trick was acted by the Children of Paul's, one of the companies of boy actors popular at the time. The play was probably written and first acted ca. 1605.
The play was popular; a second quarto was issued in the same year, printed by Eld for the bookseller Henry Rocket. The title page of Q2 attributes the play to "T. M." and states that A Trick was acted by both the Children of Paul's and the Children of the Chapel (then called the Children of the Blackfriars), the other major troupe of boy actors of the era. (The Children of Paul's had stopped performing plays around 1606, and the Children of the Chapel/Blackfriars may have acquired the play from their defunct competitors.) Q2 also states that the play had been acted at Court before King James I the previous "New Year's night." A third edition followed in 1616, printed by Eld for the stationer Thomas Langley; the title page assigns the authorship to "T. Middleton."
Two decades after its authorship, Philip Massinger used A Trick to Catch the Old One as a model for his most popular play, A New Way to Pay Old Debts, premiered in 1626 and published in 1633. Massinger's version of the plot would go on to become one of the most successful plays in English-language theatre.
Read more about A Trick To Catch The Old One: Summary, Characters, Synopsis
Famous quotes containing the words trick and/or catch:
“People that make puns are like wanton boys that put coppers on the railroad tracks. They amuse themselves and other children but their little trick may upset a freight train of conversation for the sake of a battered witticism.”
—Oliver Wendell Holmes, Sr. (1809–1894)
“If we consider what happens in conversation, in reveries, in remorse, in times of passion, in surprises, in the instructions of dreams, wherein often we see ourselves in masquerade,—the droll disguises only magnifying and enhancing a real element, and forcing it on our distinct notice,—we shall catch many hints that will broaden and lighten into knowledge of the secret of nature.”
—Ralph Waldo Emerson (1803–1882)