A Streetcar Named Desire (1951 Film) - Releases

Releases

The play's themes were controversial, causing the screenplay for the film to be watered down to comply with the Hollywood Production Code. In the film, Stella denounces Stanley's rape of Blanche, perhaps to the point of leaving the household. In the original play, the ending is more ambiguous, with Stella, distraught at having sent off her sister Blanche, mutely allowing herself to be consoled by Stanley. Williams, in his memoirs, describes the film as "marvelous performances in a great movie, only slightly marred by Hollywood ending".

In the original play, Blanche's deceased husband, Allan Grey, had committed suicide after he was discovered having a homosexual affair. This material was removed for the film; Blanche says only that she showed scorn towards Allan, driving him to suicide.

Some of these changes were in the screenplay. Other scenes were present but cut after filming was complete in order to conform to the Production Code and later, to avoid condemnation by the National Legion of Decency. According to the DVD's audio commentary, these cuts suggested by the Legion of Decency were made without the knowledge of the director.

While the film was originally distributed by Warner Brothers, it was mainly a production of Charles K. Feldman's company. Feldman (and eventually his estate) would gain all ancillary rights through 1993. Through the decades, the film was re-released and outsourced through different studios, first by 20th Century Fox for a 1958 re-issue, and in 1970 through United Artists. UA would ultimately hold television syndication and home video rights (through what was then CBS/Fox Video) until 1992 when the Feldman estate sold their share of the film to the Motion Picture and Television Fund.

Read more about this topic:  A Streetcar Named Desire (1951 Film)

Famous quotes containing the word releases:

    We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.
    Bertolt Brecht (1898–1956)