A. R. Gurney - Plays

Plays

  • Ancestral Voices
  • Another Antigone ISBN 978-0-8222-0051-2
  • Big Bill
  • Black Tie ISBN 978-0-8222-2526-3
  • Buffalo Gal
  • A Cheever Evening (based on stories by John Cheever) ISBN 978-0-8222-1458-8
  • Children ISBN 978-0-8222-0202-8
  • The Cocktail Hour ISBN 978-0-8222-0225-7
  • The Comeback ISBN 978-0-8222-0229-5
  • Crazy Mary
  • Darlene
  • The David Show
  • The Dining Room ISBN 978-0-8222-0310-0
  • Far East
  • The Fourth Wall ISBN 978-0-8222-1349-9
  • The Golden Age ISBN 978-0-8222-0455-8
  • The Golden Fleece
  • The Grand Manner ISBN 978-0-8222-2514-0
  • The Guest Lecturer
  • Heresy
  • Human Events
  • Indian Blood
  • Labor Day ISBN 978-0-8222-1685-8
  • Later Life ISBN 978-0-8222-1373-4
  • The Love Course ISBN 978-0-5736-2282-5
  • Love Letters ISBN 978-0-8222-0694-1
  • The Middle Ages ISBN 978-0-8222-0753-5
  • Mrs. Farnsworth
  • Office Hours ISBN 978-0-8222-2515-7
  • O Jerusalem
  • The Old Boy ISBN 978-0-8222-0840-2
  • The Old One-Two ISBN 978-0-5736-2370-7
  • The Open Meeting
  • Overtime ISBN 978-0-8222-1540-0
  • The Perfect Party ISBN 978-0-8222-0886-0
  • Post Mortem
  • The Problem
  • The Rape of Bunny Stuntz ISBN 978-0-5736-2439-1
  • Richard Cory ISBN 978-0-8222-1245-4
  • Scenes from American Life
  • Screen Play
  • The Snow Ball (based on his novel) ISBN 978-0-8222-1318-5
  • Sweet Sue ISBN 978-0-8222-1106-8
  • Sylvia ISBN 978-0-8222-1496-0
  • The Wayside Motor Inn ISBN 978-0-8222-1225-6
  • What I Did Last Summer ISBN 978-0-8222-1236-2

Most of these plays are published by Broadway Play Publishing Inc., Samuel French, Inc., Samuel French Ltd., Smith & Kraus Publishing, and Dramatists Play Service.

Read more about this topic:  A. R. Gurney

Famous quotes containing the word plays:

    “Shaw’s plays are the price we pay for Shaw’s prefaces.”
    —James Agate (1877–1947)

    “I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.”
    —George Bernard Shaw (1856–1950)

    “The form of act or thought mattered nothing. The hymns of David, the plays of Shakespeare, the metaphysics of Descartes, the crimes of Borgia, the virtues of Antonine, the atheism of yesterday and the materialism of to-day, were all emanation of divine thought, doing their appointed work. It was the duty of the church to deal with them all, not as though they existed through a power hostile to the deity, but as instruments of the deity to work out his unrevealed ends.”
    —Henry Brooks Adams (1838–1918)