Style
A Princess of Mars is similar to many of Burroughs' tales: it is characterized by copious violent action. It is basically a travelogue, a tale of a journey and various encounters on that journey, which does not necessarily have a defined plot. It is also a captivity narrative - involving a civilized hero being captured by an uncivilized culture and being forced to adapt to the primitive nature of the captors to survive.
As is the case with the majority of the Barsoom novels to follow, it portrays a hero facing impossible odds and forced to fight a range of lurid creatures in order to win the love of the heroine. Burroughs' Barsoom is also morally unambiguous; there is no sense of moral relativity and characters are either good or evil. The tale portrays a hero with a sense of honor transcending race or politics. Compassion, loyalty and bravery are celebrated, and callousness, deception, and cowardice are frowned upon.
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“Everything ponderous, viscous, and solemnly clumsy, all long- winded and boring types of style are developed in profuse variety among Germansforgive me the fact that even Goethes prose, in its mixture of stiffness and elegance, is no exception, being a reflection of the good old time to which it belongs, and a reflection of German taste at a time when there still was a German tasteMa rococo taste in moribus et artibus.”
—Friedrich Nietzsche (18441900)
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“I concluded that I was skilled, however poorly, at only one thing: marriage. And so I set about the business of selling myself and two children to some unsuspecting man who might think me a desirable second-hand mate, a man of good means and disposition willing to support another mans children in some semblance of the style to which they were accustomed. My heart was not in the chase, but I was tired and there was no alternative. I could not afford freedom.”
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