Style
A Princess of Mars is similar to many of Burroughs' tales: it is characterized by copious violent action. It is basically a travelogue, a tale of a journey and various encounters on that journey, which does not necessarily have a defined plot. It is also a captivity narrative - involving a civilized hero being captured by an uncivilized culture and being forced to adapt to the primitive nature of the captors to survive.
As is the case with the majority of the Barsoom novels to follow, it portrays a hero facing impossible odds and forced to fight a range of lurid creatures in order to win the love of the heroine. Burroughs' Barsoom is also morally unambiguous; there is no sense of moral relativity and characters are either good or evil. The tale portrays a hero with a sense of honor transcending race or politics. Compassion, loyalty and bravery are celebrated, and callousness, deception, and cowardice are frowned upon.
Read more about this topic: A Princess Of Mars
Famous quotes containing the word style:
“A church that can never have done with excommunicating Christ while it exists! Away with your broad and flat churches, and your narrow and tall churches! Take a step forward, and invent a new style of out-houses. Invent a salt that will save you, and defend our nostrils.”
—Henry David Thoreau (1817–1862)
“Where there is no style, there is in effect no point of view. There is, essentially, no anger, no conviction, no self. Style is opinion, hung washing, the calibre of a bullet, teething beads.... One’s style holds one, thankfully, at bay from the enemies of it but not from the stupid crucifixions by those who must willfully misunderstand it.”
—Alexander Theroux (b. 1940)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)