Episodes
| Title | Season | Director | Teleplay | First Broadcast |
|---|---|---|---|---|
| The Golden Spiders | Pilot | Bill Duke | Paul Monash | March 5, 2000 |
| The Doorbell Rang | 1.1 | Timothy Hutton | Michael Jaffe | April 22, 2001 |
| Champagne for One | 1.2 | Timothy Hutton | William Rabkin + Lee Goldberg | April 29 + May 6, 2001 |
| Prisoner's Base | 1.3 | Neill Fearnley | William Rabkin + Lee Goldberg | May 13 + 20, 2001 |
| Eeny Meeny Murder Moe | 1.4 | John L'Ecuyer | Sharon Elizabeth Doyle | June 3, 2001 |
| Disguise for Murder | 1.5 | John L'Ecuyer | Sharon Elizabeth Doyle | June 17, 2001 |
| Door to Death | 1.6 | Holly Dale | Sharon Elizabeth Doyle | June 24, 2001 |
| Christmas Party | 1.7 | Holly Dale | Sharon Elizabeth Doyle | July 1, 2001 |
| Over My Dead Body | 1.8 | Timothy Hutton | S.E. Doyle + Janet Roach | July 8 + 15, 2001 |
| Death of a Doxy | 2.1 | Timothy Hutton | Sharon Elizabeth Doyle | April 14, 2002 |
| The Next Witness | 2.2 | James Tolkan | Sharon Elizabeth Doyle | April 21, 2002 |
| Die Like a Dog | 2.3 | James Tolkan | Sharon Elizabeth Doyle | April 28, 2002 |
| Murder Is Corny | 2.4 | George Bloomfield | William Rabkin + Lee Goldberg | May 5, 2002 |
| Motherhunt | 2.5 | Alan Smithee | Sharon Elizabeth Doyle | May 12 +19, 2002 |
| Poison à la Carte | 2.6 | George Bloomfield | William Rabkin + Lee Goldberg | May 26, 2002 |
| Too Many Clients | 2.7 | John L'Ecuyer | Sharon Elizabeth Doyle | June 2 + 9, 2002 |
| Before I Die | 2.8 | John L'Ecuyer | Sharon Elizabeth Doyle | June 16, 2002 |
| Help Wanted, Male | 2.9 | John L'Ecuyer | Mark Stein | June 23, 2002 |
| The Silent Speaker | 2.10 | Michael Jaffe | Michael Jaffe | July 14 + 21, 2002 |
| Cop Killer | 2.11 | John R. Pepper | Jennifer Salt | August 11, 2002 |
| Immune to Murder | 2.12 | John R. Pepper | Stuart Kaminsky | August 18, 2002 |
Read more about this topic: A Nero Wolfe Mystery
Famous quotes containing the word episodes:
“What is a novel if not a conviction of our fellow-men’s existence strong enough to take upon itself a form of imagined life clearer than reality and whose accumulated verisimilitude of selected episodes puts to shame the pride of documentary history?”
—Joseph Conrad (1857–1924)
“Twenty or thirty years ago, in the army, we had a lot of obscure adventures, and years later we tell them at parties, and suddenly we realize that those two very difficult years of our lives have become lumped together into a few episodes that have lodged in our memory in a standardized form, and are always told in a standardized way, in the same words. But in fact that lump of memories has nothing whatsoever to do with our experience of those two years in the army and what it has made of us.”
—Václav Havel (b. 1936)