A Midsummer Night's Dream is a two-act ballet choreographed by George Balanchine to Felix Mendelssohn's incidental music for Shakespeare's play of the same name. In addition to the incidental music, Balanchine incorporated other Mendelssohn works into the ballet including Overtures to Athalie, Son and Stranger, and The Fair Melusine, Symphony No. 9 for Strings and The First Walpurgis Night. A Midsummer Night's Dream is Balanchine's first completely original full-length ballet, and premiered at New York City Ballet on January 17, 1962 with Edward Villella in the role of Oberon, Melissa Hayden in the role of Titiana, and Arthur Mitchell in the role of Puck. The ballet employs a large children's corps de ballet. Act I tells Shakespeare's familiar story of lovers and fairies while Act II presents a strictly classical dance wedding celebration. The ballet dispenses with Shakespeare's play-within-a-play finale. A Midsummer Night's Dream opened The New York City Ballet's first season at the New York State Theater in April, 1964.
Famous quotes containing the words midsummer, night and/or dream:
“Why, this is very midsummer madness.”
—William Shakespeare (1564–1616)
“Had I been less resolved to work, I would perhaps had made an effort to begin immediately. But since my resolution was formal and before twenty four hours, in the empty slots of the next day where everything fit so nicely because I was not yet there, it was better not to choose a night at which I was not well-disposed for a debut to which the following days proved, alas, no more propitious.... Unfortunately, the following day was not the exterior and vast day which I had feverishly awaited.”
—Marcel Proust (1871–1922)
“Let us pardon him his hope of a vain apocalypse, and of a second coming in great triumph upon the clouds of heaven. Perhaps these were the errors of others rather than his own; and if it be true that he himself shared the general illusion, what matters it, since his dream rendered him strong against death, and sustained him in a struggle to which he might otherwise have been unequal?”
—Ernest Renan (1823–1892)