Production
Filming for A Matter of Loaf and Death began in January 2008, and had the fastest production period for a Wallace and Gromit short. This was the first Aardman film to be made using the software Stop Motion Pro. Five models were created for Gromit alone, with scenes being shot simultaneously on thirteen sets. Commenting on the fact that the short will be made directly for a British audience, Nick Park said: "I don't feel like I'm making a film for a kid in some suburb of America — and being told they're not going to understand a joke, or a northern saying." Regardless, Park changed the title from Trouble at' Mill as he thought it was too obscure a Northern England colloquialism. As well as a final title that references A Matter of Life and Death, the film also references Aliens and Ghost.
Nick Park said in an interview with the Radio Times, "The BBC hardly gave a single note or instruction on the whole thing", and Park goes on to remark how it was better than his previous work with DreamWorks, Curse of the Were-Rabbit, where they kept on receiving calls to change critical things.
Park cast Sally Lindsay after hearing her on the Radcliffe and Maconie Show on BBC Radio 2 whilst driving from Preston. Although unfamiliar with her role as Shelly Unwin in Coronation Street, Park said "Sally has a lot of fun in her voice, flamboyant almost, and I was also looking for someone who could be quite charming too, but with a slightly posh northern accent. Piella needed to at times sound well-to-do, and then at others sound quite gritty".
Read more about this topic: A Matter Of Loaf And Death
Famous quotes containing the word production:
“I really know nothing more criminal, more mean, and more ridiculous than lying. It is the production either of malice, cowardice, or vanity; and generally misses of its aim in every one of these views; for lies are always detected, sooner or later.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)