Structure
Since Brahms inserted movement 5, the work shows symmetry around movement 4, which describes the "lovely dwellings" of the Lord. Movement 1 and 7 begin "Selig sind" (Blessed are), taken from the Beatitudes of the Sermon on the Mount in 1, from Revelation in 7. These two slow movements also share musical elements, especially in their ending. Movements 2 and 6 are both dramatic, 2 dealing with the transient nature of life, 6 with the resurrection of the dead, told as a secret about a change. Movements 3 and 5 are begun by a solo voice. In the third movement, the baritone requests "Herr, lehre doch mich" (Lord, teach me); the choir repeats his words several times, making the personal prayer more general. In the fifth movement, the soprano and chorus sing different text, corresponding to each other. As opposed to Baroque oratorios, the soloists do not sing any arias, but are part of the structure of the movements. Almost all movements, with the exception of 4 and 7, connect different Bible verses, which lead from suffering and mourning to consolation. The very last word of the work is the same as the first: "selig" (blessed).
Read more about this topic: A German Requiem (Brahms)
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