Plot
Donatela and Flora, two friends who became rivals. One of them committed a homicide and pretends to be innocent. There are two versions for the same story. Who, after all, is telling the truth? Donatela or Flora?
Donatela and Flora grew up together. Donatela lost her parents in an accident and ended up being adopted by Flora's family. By the time they were children, the two girls were best friends to the point of starting a country band, “Faísca e Espoleta” (Flash and Fusee). The partnership made a reasonable success at the time, but the career was interrupted after they met friends Marcelo and Dodi, to whom they became engaged. Donatela married Marcelo, Gonçalo Fontini's son, heir of a paper and cellulose corporation, while Flora married Dodi, an unscrupulous man who worked for his friend's father.
However, Donatela and Marcelo's happiness didn't last too long. The couple's first son, Matheus, was kidnapped when he was six months old, never to appear again. Since then the couple started to argue very often. In the meantime, Flora and Dodi split up and she had an affair with Marcelo. She gave birth to Lara, daughter to Marcelo, harming even more his relationship with Donatela and mostly the relationship between the two friends.
In the worst period of the crisis between Donatela and Flora, Marcelo was murdered. He was shot three times with a gun that, according to witnesses, was in Flora's possession. She was arrested and sent to jail for eighteen years. Donatela, despite of not forgiving Flora for the treason and for killing the love of her life, raised Lara with the love of a true mother.
Eighteen years later, after being released from prison, Flora starts trying to prove her innocence, blaming Donatela for the crime she has already paid for. Donatela fears that Flora may want to take her beloved daughter Lara away. Lara becomes the target of the dispute between the two women, who were once friends. While Flora tries to get her daughter back, Donatela will do everything she can to stop her.
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Famous quotes containing the word plot:
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
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