A Darkling Plain - Explanation of The Novel's Title

Explanation of The Novel's Title

The title is derived from Matthew Arnold's poem Dover Beach. This excerpt of the poem appears at the beginning of the book:

Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight
Where ignorant armies clash by night.

Matthew Arnold, Dover Beach (emphasis added)

This relates to the novel in several ways. The characters are indeed swept about, often against their will, by the "ignorant armies" of the Green Storm and Traktionstadtsgesellschaft, on the "darkling plain" of the Great Hunting Ground.

Reeve references his choice of title himself towards the end of the book when the character Nimrod Pennyroyal writes a book within a book titled Ignorant Armies.

Read more about this topic:  A Darkling Plain

Famous quotes containing the words explanation of the, explanation of, explanation and/or title:

    To develop an empiricist account of science is to depict it as involving a search for truth only about the empirical world, about what is actual and observable.... It must involve throughout a resolute rejection of the demand for an explanation of the regularities in the observable course of nature, by means of truths concerning a reality beyond what is actual and observable, as a demand which plays no role in the scientific enterprise.
    Bas Van Fraassen (b. 1941)

    What causes adolescents to rebel is not the assertion of authority but the arbitrary use of power, with little explanation of the rules and no involvement in decision-making. . . . Involving the adolescent in decisions doesn’t mean that you are giving up your authority. It means acknowledging that the teenager is growing up and has the right to participate in decisions that affect his or her life.
    Laurence Steinberg (20th century)

    The explanation of the propensity of the English people to portrait painting is to be found in their relish for a Fact. Let a man do the grandest things, fight the greatest battles, or be distinguished by the most brilliant personal heroism, yet the English people would prefer his portrait to a painting of the great deed. The likeness they can judge of; his existence is a Fact. But the truth of the picture of his deeds they cannot judge of, for they have no imagination.
    Benjamin Haydon (1786–1846)

    Eternity is not ours by right; and, alone, unrequited sufferings here, form no title thereto.
    Herman Melville (1819–1891)