Background and Production
The creators hoped that the backstage story about the making of a musical would cash in on the success of A Chorus Line as well as the popularity of the black-themed musical, including Brown's own The Wiz, which was still running at the time. But Brown's much-criticized book is a clichéd spoof of show business lawyers, idealistic young playwrights, glitzy Las Vegas performers, blue-haired matinée ladies, and the black-themed musical itself. The Wiz proved to be Brown's only success.
Following a dismal October–November tryout with Helen Gallagher and Julius LaRosa at the theatre in the Riverside Church in Morningside Heights, the producers fired most of the cast and creative personnel, including director/choreographer George Faison. Gower Champion was called in to rescue the Broadway-bound production with only a month to go, but he feared that the show's defects were too serious to remedy and insisted on receiving a "Production supervised by" credit only.
After 14 previews, the Broadway production opened and closed at the Lunt-Fontanne Theatre on December 21, 1978. It lost $1 million. The cast included Patti Karr (replacing Gallagher), Alan Weeks, Larry Marshall, Warren Berlinger (replacing LaRosa), Loretta Devine, Jackée Harry, and Tiger Haynes.
Julius Novick of The Village Voice called it "the best Broadway musical since Platinum," a disaster that had opened the month before. Critic and theatre historian Ken Mandelbaum has described the show as "a genuine turkey... hopeless... well-meaning but fatally underpowered evening. The Charles Strouse-Lee Adams score had its moments...."
A cast album was recorded before an audience during a live performance in December 1978.
Read more about this topic: A Broadway Musical
Famous quotes containing the words background and, background and/or production:
“... every experience in life enriches one’s background and should teach valuable lessons.”
—Mary Barnett Gilson (1877–?)
“In the true sense one’s native land, with its background of tradition, early impressions, reminiscences and other things dear to one, is not enough to make sensitive human beings feel at home.”
—Emma Goldman (1869–1940)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)