A Bit of Fry & Laurie - Broadcast Details

Broadcast Details

The 36-minute pilot was broadcast on BBC2 on Boxing Day 1987, although it was later edited down to 29 minutes for repeat transmissions (including broadcasts on the Paramount Comedy Channel). The full version is intact on the Series 1 DVD. It was the first pilot Fry and Laurie had produced for the BBC since 1983; their previous attempt, The Crystal Cube, had not met with the BBC's approval.

The first three series were screened on BBC2, the traditional home for the BBC's comedy sketch shows, while the fourth series switched to BBC1, the mainstream entertainment channel. The last series was the least well-received, for a number of reasons: BBC1 was not the best place to showcase Fry and Laurie's arch humour; it featured celebrity guests in all but one episode, an addition of which neither Fry nor Laurie approved; and it was shown not long after Stephen Fry's nervous breakdown in 1995, which cast a shadow over the series. One reviewer says that, perhaps owing to this, Fry got more of the laughs, while Laurie was increasingly relegated to the "straight man" role.

From series 1–3 there were also several occasional guest artists, before they were made a permanent fixture during series 4, including: Selina Cadell (Series 2, episode 4), Paul Eddington (Series 2, episode 5), Nigel Havers (Series 2, episode 6), Rowan Atkinson (Series 2, episode 6), Nicholas Parsons (Series 3, episode 1), Rebecca Saire (Series 3, episode 2 and 5), Gary Davies (Series 3, episode 6), and Colin Stinton (Series 3, episode 6).

Read more about this topic:  A Bit Of Fry & Laurie

Famous quotes containing the words broadcast and/or details:

    Radio news is bearable. This is due to the fact that while the news is being broadcast the disc jockey is not allowed to talk.
    Fran Lebowitz (b. 1951)

    There was a time when the average reader read a novel simply for the moral he could get out of it, and however naïve that may have been, it was a good deal less naïve than some of the limited objectives he has now. Today novels are considered to be entirely concerned with the social or economic or psychological forces that they will by necessity exhibit, or with those details of daily life that are for the good novelist only means to some deeper end.
    Flannery O’Connor (1925–1964)