The 9th Street Art Exhibition, otherwise known as the 9th St. Show, Ninth Street Show May 21-June 10 1951 was a historical, ground-breaking exhibition. The show was hung by Leo Castelli, as he was liked by most of the artists and thought of as someone who would hang the exhibition without favoritism. It represented the New Art in the 20th Century. It was a gathering of a number of notable artists, and it was the stepping-out of the post war New York avant-garde, collectively known as the New York School. The opening of the show was a great success. According to Altshuler, "It appeared as though a line had been crossed, a step into a larger art world whose future was bright with possibility."
Read more about 9th Street Art Exhibition: Downtown Group and The Organization of The "Ninth Street" Show, Artists of The Ninth Street Show, Legacy of The "Ninth Street" Show
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“One must always be aware, to notice—even though the cost of noticing is to become responsible.”
—Thylias Moss, African American poet. As quoted in the Wall Street Journal (May 12, 1994)
“The artistic temperament is a disease that affects amateurs.... Artists of a large and wholesome vitality get rid of their art easily, as they breathe easily or perspire easily. But in artists of less force, the thing becomes a pressure, and produces a definite pain, which is called the artistic temperament.”
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“Work, as we usually think of it, is energy expended for a further end in view; play is energy expended for its own sake, as with children’s play, or as manifestation of the end or goal of work, as in “playing” chess or the piano. Play in this sense, then, is the fulfillment of work, the exhibition of what the work has been done for.”
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