50th Grammy Awards - Composing/Arranging Field

Composing/Arranging Field

Best Instrumental Composition
  • "Ash Wednesday"
    • Harry Connick, Jr., composer (Harry Connick, Jr.)
  • "Cerulean Skies"
    • Maria Schneider, composer (Maria Schneider Orchestra)
  • "Deep Six"
    • Mark Walker, composer (Oregon)
  • "I Knew Her"
    • Philip Glass, composer (Philip Glass)
  • "Spectacle"
    • Béla Fleck, composer (Chick Corea & Béla Fleck)
Best Instrumental Arrangement
  • "Ash Wednesday"
    • Harry Connick, Jr., arranger (Harry Connick, Jr.)
  • "Besame Mucho"
    • Steve Wiest, arranger (Maynard Ferguson)
  • "Black Is the Color of My True Love's Hair"
    • Frank Macchia, arranger (Frank Macchia & The Prague Orchestra)
  • "In a Silent Way"
    • Vince Mendoza, arranger (Joe Zawinul)
  • "Yo Tannenbaum (From Bah, Humduck! A Looney Tunes Christmas)"
    • Gordon Goodwin, arranger (Gordon Goodwin's Big Phat Band)
Best Instrumental Arrangement Accompanying Vocalist(s)
  • "Cry Me a River"
    • Jorge Calandrelli, arranger (Ella Fitzgerald & Jorge Calandrelli)
  • "I'm Gonna Live Till I Die"
    • John Clayton, arranger (Queen Latifah)
  • "In the Wee Small Hours of the Morning"
    • Jay Ashby, Darmon Meader & Kim Nazarian, arrangers (New York Voices)
  • "Overture/Gershwin Medley"
    • Michael Abene, arranger (Patti Austin)
  • "Smile"
    • Pete McGuinness, arranger (The Pete McGuinness Jazz Orchestra)

Read more about this topic:  50th Grammy Awards

Famous quotes containing the words composing, arranging and/or field:

    The worth of a State, in the long run, is the worth of the individuals composing it ... a State which dwarfs its men, in order that they may be more docile instruments in its hands even for beneficial purposes—will find that with small men no great thing can really be accomplished.
    John Stuart Mill (1806–1873)

    Technology ... the knack of so arranging the world that we don’t have to experience it.
    Max Frisch (1911–1991)

    In the quilts I had found good objects—hospitable, warm, with soft edges yet resistant, with boundaries yet suggesting a continuous safe expanse, a field that could be bundled, a bundle that could be unfurled, portable equipment, light, washable, long-lasting, colorful, versatile, functional and ornamental, private and universal, mine and thine.
    Radka Donnell-Vogt, U.S. quiltmaker. As quoted in Lives and Works, by Lynn F. Miller and Sally S. Swenson (1981)