Plot
The plot, about bank robbers held at bay by the Los Angeles Police Department, is based on a real incident which occurred February 28, 1997 known as the North Hollywood shootout. Homicide detective Frank McGregor (Michael Madsen) tracks a violent duo of bank robbers: Larry Eugene Phillips, Jr. and Emil Mătăsăreanu.
The film opens with scenes of police officers getting ready for work in the morning interspersed with scenes of the robbers Phillips and Mătăsăreanu preparing to loot an armoured bank truck. Officer Donnie Anderson (Ron Livingston) is mourning the death of his police officer father. He displays a lack of attention on his SWAT assignment and is forced by his superior to take time off. Meanwhile, the staff at the North Hollywood branch of Bank of America are preparing for start of business.
Phillips and Mătăsăreanu park outside the branch and wait for the armored truck. They are frustrated when the truck does not turn up and decide on robbing the branch instead (unaware that the bank had altered its delivery schedule). They wear black masks and enter the branch firing at the roof with their AK-47s. An LAPD patrol car happens to pass by at the same time. The officers spot the robbers entering the bank and call it in.
The manager is forced to open the vault and fill a duffel bag with all the cash in the branch. When the robbers are turned away from him the manager places a stack of notes with the dye used for tracking purposes. By the time Phillips and Mătăsăreanu collect all the cash, numerous LAPD patrol cars and officers surround the branch and roadblocks are set up. The robbers spot the officers and exit the branch firing their weapons.
The officers are unable to stop them because of their low-caliber weapons and also since the robbers are wearing heavy armor. Donnie listens to the call on his radio, gathers his SWAT team and races to the shoot-out location. After several minutes of firing and injuries to both and civilians, Phillips and Mătăsăreanu decide to make a getaway. Mătăsăreanu drives their car while Phillips walks beside the car firing at the officers.
On Archwood Street, Phillips separates from Mătăsăreanu and starts firing at the officers following them. While reloading, his rifle malfunctions. He draws his pistol and shoots himself through the chin. At the same time he is also shot by Frank. Mătăsăreanu car-jacks a 1963 Jeep Gladiator pickup truck after the tires on his getaway car are shot out. However, he is unable to start the truck since its driver turned off the fuel pump. The SWAT team corners him and he takes cover behind his car. A close-range gun battle ensues. The SWAT team fires below the cars at Mătăsăreanu's legs since they are unprotected. Finally he goes down and surrenders. It is later shown that he bleeds to death.
The closing scenes are real-life images of LAPD officers receiving medals of valor and the public sending them thank-you notes and flowers in appreciation of their heroic effort.
Read more about this topic: 44 Minutes: The North Hollywood Shoot-Out
Famous quotes containing the word plot:
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)