Film
Outstanding Motion Picture
- Coach Carter
- Crash
- Hitch
- Hustle & Flow
- Diary of a Mad Black Woman
Outstanding Actor in a Motion Picture
- Laurence Fishburne - Assault on Precinct 13
- Samuel L. Jackson - Coach Carter
- Shemar Moore - Diary of a Mad Black Woman
- Terrence Howard - Hustle & Flow
- Will Smith - Hitch
Outstanding Actress in a Motion Picture
- Kimberly Elise - Diary of a Mad Black Woman
- Queen Latifah - Beauty Shop
- Rosario Dawson - Rent
- Ziyi Zhang - Memoirs of a Geisha
- Zoe Saldana - Guess Who
Outstanding Supporting Actor in a Motion Picture
- Anthony Anderson - Hustle & Flow
- Chris "Ludacris" Bridges - Crash
- Don Cheadle - Crash
- Larenz Tate - Crash
- Terrence Howard - Crash
Outstanding Supporting Actress in a Motion Picture
- Ashanti - Coach Carter
- Cicely Tyson - Diary of a Mad Black Woman
- Elise Neal - Hustle & Flow
- Taraji P. Henson - Hustle & Flow
- Thandie Newton - Crash
Outstanding Independent or Foreign Film
- The Boys of Baraka
- Cape of Good Hope
- The Constant Gardener
- Mad Hot Ballroom
- Syriana
Outstanding Directing in a Feature Film/Television Movie
- George C. Wolfe – Lackawanna Blues
- John Singleton – Four Brothers
- Malcolm Lee – Roll Bounce
- Thomas Carter – Coach Carter
- Tim Story – Fantastic Four
Read more about this topic: 37th NAACP Image Awards
Famous quotes containing the word film:
“I’ll be right here.”
—Melissa Mathison, U.S. screenwriter, and Steven Spielberg. ET, ET The Extra-Terrestrial, saying goodbye to Elliot as he touches Elliot’s forehead—ET’s final words in the film (1982)
“Is America a land of God where saints abide for ever? Where golden fields spread fair and broad, where flows the crystal river? Certainly not flush with saints, and a good thing, too, for the saints sent buzzing into man’s ken now are but poor- mouthed ecclesiastical film stars and cliché-shouting publicity agents.
Their little knowledge bringing them nearer to their ignorance,
Ignorance bringing them nearer to death,
But nearness to death no nearer to God.”
—Sean O’Casey (1884–1964)
“This film is apparently meaningless, but if it has any meaning it is doubtless objectionable.”
—British Board Of Film Censors. Quoted in Halliwell’s Filmgoer’s Companion (1984)