Setting
The first six seasons of the show were mostly based in Los Angeles and nearby California locations—both real and fictional. Other locations have also been featured, such as Washington, D.C., for parts of the fourth, sixth, and seventh seasons. The eighth season took place in New York City, and the TV movie Redemption, filmed in South Africa, was set mainly in the fictional African nation of Sangala.
The main setting of the show is the fictional Counter Terrorist Unit. Its office consists of two main departments: Field Operations, which involves confronting and apprehending suspects, and Communications, which gathers intelligence and assists those that work in Field Operations. CTU offices are established in various cities with these units reporting to "Divisions", and Divisions reporting to the "District". While CTU itself is a fictional agency, several entities with similar names or duties, like the National Counterterrorism Center, have emerged since the show's debut on television.
The set of CTU was initially filmed in a Fox Sports office, with the set recreated in old pencil factory in Chatsworth. The same set was used for the first three seasons, but was redesigned before the start of the fourth season, and again before the start of the eighth season. Other sets were also constructed here, such as Charles Logan's presidential retreat shown in seasons five and six, and the White House bunker shown in season six.
Read more about this topic: 24 (TV series), Production
Famous quotes containing the word setting:
“When I consider the clouds stretched in stupendous masses across the sky, frowning with darkness or glowing with downy light, or gilded with the rays of the setting sun, like the battlements of a city in the heavens, their grandeur appears thrown away on the meanness of my employment; the drapery is altogether too rich for such poor acting. I am hardly worthy to be a suburban dweller outside those walls.”
—Henry David Thoreau (1817–1862)
“it is finally as though that thing of monstrous interest
were happening in the sky
but the sun is setting and prevents you from seeing it”
—John Ashbery (b. 1927)
“We believe that Carlyle has, after all, more readers, and is better known to-day for this very originality of style, and that posterity will have reason to thank him for emancipating the language, in some measure, from the fetters which a merely conservative, aimless, and pedantic literary class had imposed upon it, and setting an example of greater freedom and naturalness.”
—Henry David Thoreau (1817–1862)