Production
The film was conceived as a result of the 2007–2008 Writers Guild of America strike, which delayed the seventh season for an entire year, the producers were exploring ways to get back on the air earlier. Ideas included airing webisodes or mobisodes. According to the President of Entertainment at Fox, "We were going to be off the air for a while and how do you bridge that gap. We thought about doing something online and after talking with Howard Gordon we decided to do it on air." The working title for the film was 24: Exile, until the change to 24: Redemption.
In an interview, Kiefer Sutherland revealed that Redemption was inspired by the Rwandan Genocide and the U.S. Government's response to it. "The truth is, one of the things that was said in the prequel, which I think has been a massive problem with how the Western world has dealt with Africa, no one can justify going there, because they have no viable reason – meaning oil or money. Here response is a human one. We can stop a genocide. I think that that's something that Bill Clinton apologized for not doing with Rwanda and we centered a show around that."
On April 30, producers began scouting locations in Africa in order to film the feature in the upcoming weeks. The original plan was to shoot three days worth of scenes in Africa and then have Simi Valley, California fill in for the location. After realizing it would be difficult to fake, it was decided to shoot the majority of the film on location in Cape Town, South Africa. Filming took place from June 4 to June 20 with the final scenes being shot in Los Angeles, California. By July 13, principal shooting of the film had been completed and post-production had begun.
Read more about this topic: 24: Redemption
Famous quotes containing the word production:
“The development of civilization and industry in general has always shown itself so active in the destruction of forests that everything that has been done for their conservation and production is completely insignificant in comparison.”
—Karl Marx (1818–1883)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“Every production of an artist should be the expression of an adventure of his soul.”
—W. Somerset Maugham (1874–1965)