2001 Grammy Awards - Classical

Classical

  • Best Orchestral Performance
    • Stephen Johns (producer), Mike Clements (engineer), Sir Simon Rattle (conductor) & the Berliner Philharmonic for Mahler: Sym. No. 10
  • Best Classical Vocal Performance
    • Christopher Raeburn (producer), Jonathan Stokes (engineer), Cecilia Bartoli & Il Giardino Armonico for The Vivaldi Album (Dell'aura al sussurrar; Alma oppressa, Etc.)
  • Best Opera Recording
    • Martin Sauer (producer), Jean Chatauret (engineer), Kent Nagano (conductor), Kim Begley, Dietrich Fischer-Dieskau, Dietrich Henschel, Markus Hollop, Eva Jenis, Torsten Kerl & the Orchestre de l'Opera Nationale de Lyon for Busoni: Doktor Faust
  • Best Choral Performance
    • Karen Wilson (producer), Don Harder (engineer), Helmuth Rilling (conductor) & the Oregon Bach Festival Orchestra & Chorus for Penderecki: Credo
  • Best Instrumental Soloist(s) Performance (with orchestra)
    • Grace Row (producer), Charles Harbutt (engineer), Roger Norrington (conductor), Joshua Bell & the London Philharmonic for Maw: Violin Concerto
  • Best Instrumental Soloist Performance (without orchestra)
    • Tobias Lehmann (producer), Jens Schünemann (engineer) & Sharon Isbin for Dreams of a World (Works of Lauro, Ruiz-Pipo, Duarte, Etc.)
  • Best Small Ensemble Performance (with or without conductor)
    • Christian Gausch (producer), Wolf-Dieter Karwatky (engineer) & the Orpheus Chamber Orchestra for Shadow Dances (Stravinsky Miniatures - Tango; Suite No. 1; Octet, etc.)
  • Best Chamber Music Performance
    • Da-Hong Seetoo, Max Wilcox (producers & engineers) & the Emerson String Quartet for Shostakovich: The String Quartets
  • Best Classical Contemporary Composition
    • George Crumb (composer) & Thomas Conlin for Crumb: Star-Child
  • Best Classical Album
    • Da-Hong Seetoo & Max Wilcox (producers & engineers) & the Emerson String Quartet for Shostakovich: The String Quartets
  • Best Classical Crossover Album
    • Steven Epstein (producer), Richard King (engineer), Yo-Yo Ma, Edgar Meyer & Mark O'Connor for Appalachian Journey

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Famous quotes containing the word classical:

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)

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