1983 in Comics - Conventions

Conventions

  • Summer: Comix Fair 83 (Houston, Texas) — program includes half-page biographies of Terrence Dicks, Bill Mumy, Jim Shooter, Steve Englehart, Chris Claremont, Paul Smith, Kerry Gammill, Ernie Chan, Josef Rubinstein, Sam De La Rosa, Dick Giordano, Sal Amendola, Marv Wolfman, Len Wein, Mike W. Barr, P. Craig Russell, Rick Obadiah, Mike Grell, Mark Wheatley & Marc Hempel, Dave & Deni Sim, Cat Yronwode, Dean Mullaney, Max Allen Collins, Terry Beatty, John Carbonaro, Jaxon, Jeff Millar & Bill Hinds, and Jerry Bittle
  • June: Heroes Convention (Charlotte, North Carolina)
  • June 25–26: Colorado Comic Art Convention (Rocky Mountain School of Art, Denver, Colorado) — official guests include Phil Normand, Marshall Rogers, Larry Mahlstedt, Ron Wilson, Gil Kane, and Edward Bryant
  • July 2–4: Comic Art Convention (as International Science Fiction and Comic Art Convention) (New York City) — final iteration of this long-running show; guests include Philip José Farmer
  • July 22–24: Chicago Comicon (American-Congress Hotel, Chicago, Illinois)
  • August 4–7: San Diego Comic-Con (Convention and Performing Arts Center and Hotel San Diego, California) — 5,000 attendees; official guests: Douglas Adams, Bob Clampett, Floyd Gottfredson, Harvey Kurtzman, Norman Maurer, Grim Natwick, George Pérez, Trina Robbins
  • October 15: London Comic Mart (Central Hall, Westminster, England) — presentation of the Eagle Awards
  • November: Mid-Ohio Con (Ohio) — guests include David Prowse
  • November 25–27: Fantasy Festival (Sheraton Park Central, Dallas, Texas) — guests include Roger Zelazny, Alan Dean Foster, George R.R. Martin, and Howard Waldrop

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Famous quotes containing the word conventions:

    Art, it seems to me, should simplify. That, indeed, is very nearly the whole of the higher artistic process; finding what conventions of form and what detail one can do without and yet preserve the spirit of the whole—so that all that one has suppressed and cut away is there to the reader’s consciousness as much as if it were in type on the page.
    Willa Cather (1873–1947)

    Why does almost everything seem to me like its own parody? Why must I think that almost all, no, all the methods and conventions of art today are good for parody only?
    Thomas Mann (1875–1955)

    I find nothing healthful or exalting in the smooth conventions of society. I do not like the close air of saloons. I begin to suspect myself to be a prisoner, though treated with all this courtesy and luxury. I pay a destructive tax in my conformity.
    Ralph Waldo Emerson (1803–1882)