In Popular Culture
In the movie Oh, God!, God, as played by George Burns, explains to John Denver that "the last miracle I performed was the 1969 Mets."
Part of the movie Frequency is set in Queens, NY in 1969, as firefighter and avid Mets fan Frank Sullivan (Dennis Quaid) and his family follow the "Amazin's" throughout the World Series.
In Moonlighting, Season 2, Episode 13, "In God We Strongly Suspect", when David is attempting to define the parameters of Maddie's skepticism and atheism by inviting her to provide logical explanations for various phenomena seemingly beyond man's understanding, he mentions the "'69 Mets" which she immediately dismisses as "a myth and a hoax".
In his song "Faith and Fear in Flushing Meadows", twee/folk artist Harry Breitner makes mention of Tom Seaver and Jerry Koosman.
In the TV sitcom Everybody Loves Raymond episode "Big Shots", Ray and Robert visit the Baseball Hall of Fame to meet members of the '69 Mets.
In the film Men in Black 3, set shortly before the Apollo 11 launch in July 1969, Griffin, an alien from the fifth dimension who can see the future, says the Mets' title is his favorite human history moment for "all the improbabilities that helped".
Read more about this topic: 1969 New York Mets Season
Famous quotes containing the words popular culture, popular and/or culture:
“Popular culture entered my life as Shirley Temple, who was exactly my age and wrote a letter in the newspapers telling how her mother fixed spinach for her, with lots of butter.... I was impressed by Shirley Temple as a little girl my age who had power: she could write a piece for the newspapers and have it printed in her own handwriting.”
—Adrienne Rich (b. 1929)
“All official institutions of language are repeating machines: school, sports, advertising, popular songs, news, all continually repeat the same structure, the same meaning, often the same words: the stereotype is a political fact, the major figure of ideology.”
—Roland Barthes (1915–1980)
“All objects, all phases of culture are alive. They have voices. They speak of their history and interrelatedness. And they are all talking at once!”
—Camille Paglia (b. 1947)