Failure of Amusements
One of the fair's major shortcomings was the absence of a midway. The fair's organizers were opposed, on principle, to the honky-tonk atmosphere engendered by midways, and this was another thing that irked the BIE, which insisted that all officially sanctioned fairs have a midway. What amusements the fair actually had ended up being largely dull. The Meadow Lake Amusement Area wasn't easily accessible, and officials objected to shows being advertised. Furthermore, although the Amusement Area was supposed to remain open for four hours after the exhibits closed at 10 pm, the fair presented a fountain-and-fireworks show every night at 9 pm at the Pool of Industry. Fairgoers would see this show and then leave the fair rather than head to the Amusement Area; one was hard pressed to see anyone on the fairgrounds by midnight.
The fair's big entertainment spectacles, including the "Wonder World" at the Meadow Lake Amphitheater, "To Broadway with Love" in the Texas Pavilion, and Dick Button's "Ice-travaganza" in the New York City Pavilion, all closed ahead of schedule, with heavy losses. It became apparent that fairgoers did not go to the fair for its entertainment value, especially as there was plenty of entertainment in Manhattan.
A notable exception to this situation was Les Poupées de Paris (The Dolls of Paris), a musical puppet show created, produced and directed by Sid and Marty Krofft. This show, modeled after the Paris revues Lido and Folies Bergere, was heavily attended, and financially successful.
Read more about this topic: 1964 New York World's Fair
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