1956 in Film - Top Grossing Films (U.S.)

Top Grossing Films (U.S.)

Rank Title Leading Star Studio Gross
1. The Ten Commandments Charlton Heston, Yul Brynner and Anne Baxter Paramount $43,000,000
2. Around the World in Eighty Days David Niven, Cantinflas and Shirley MacLaine United Artists $23,120,000
3. Giant Rock Hudson, Elizabeth Taylor and James Dean Warner Bros. $14,000,000
4. War and Peace Audrey Hepburn and Henry Fonda Paramount $12,500,000
5. The King and I Deborah Kerr and Yul Brynner 20th Century Fox $9,000,000
6. The Searchers John Wayne Warner Bros. $8,500,000
7. Bus Stop Marilyn Monroe and Don Murray 20th Century Fox $7,269,000
8. The Girl Can't Help It Jayne Mansfield, Tom Ewell, and Edmund O'Brien 20th Century Fox $6,250,000
9. High Society Bing Crosby, Grace Kelly, and Frank Sinatra MGM $5,878,000
10. Written on the Wind Rock Hudson, Lauren Bacall, Robert Stack, and Dorothy Malone Universal $5,712,000
11. Julie Doris Day MGM $4,500,000
12. The Eddy Duchin Story Tyrone Power and Kim Novak Columbia $4,396,000
13. The Lieutenant Wore Skirts Tom Ewell and Sheree North 20th Century Fox $4,390,000
14. Baby Doll Carroll Baker and Karl Malden Warner Bros. $4,285,000
15. Zarak Victor Mature, Michael Wilding, and Anita Ekberg Columbia $4,252,000
16. Love Me Tender Elvis Presley and Debra Paget 20th Century Fox $4,225,000
17. Between Heaven and Hell Robert Wagner, Buddy Ebsen, Broderick Crawford, and Terry Moore 20th Century Fox $4,200,000
18. The Man Who Knew Too Much James Stewart and Doris Day Paramount $4,153,000
19. The Best Things in Life Are Free Gordon MacRae, Dan Dailey, Ernest Borgnine, and Sheree North 20th Century Fox $4,129,000
20. Star in the Dust John Agar, Richard Boone, and Mamie Van Doren Universal $4,122,000

(*) After theatrical re-issue(s)

Read more about this topic:  1956 In Film

Famous quotes containing the words top and/or films:

    Name me, if you can, a better feeling than the one you get when you’ve half a bottle of Chivas in the bag with a gram of coke up your nose and a teenage lovely pulling off her tube top in the next seat over while you’re doing a hundred miles an hour in a suburban side street.
    —P.J. (Patrick Jake)

    Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.
    David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)