Impact
The majority of the storm damage was from storm surge and wind. Damage was estimated at $308 million USD, (the equivalent of $4.8 billion adjusted for inflation in 2011 dollars) ,making it among the most costly hurricanes to strike the U.S. mainland. It is estimated that if an identical hurricane struck in 2005 it would have caused $39.2 billion (2005 USD) in damage, due to changes in population and infrastructure.
Approximately 600 people died in the storm in New England, most in Rhode Island, and up to 100 people elsewhere in the path of the storm. An additional 708 people were reported injured.
In total, 4,500 cottages, farms, and other homes were reported destroyed. An additional 25,000 homes were damaged. Other damages included 26,000 automobiles destroyed, and 20,000 electrical poles toppled. The hurricane also devastated the forests of the Northeast, knocking down an estimated 2 billion trees in New York and New England. Freshwater flooding was minimal, however, as the quick passage of the storm decreased local rainfall totals, with only a few small areas receiving over 10 inches (250 mm).
Read more about this topic: 1938 New England Hurricane
Famous quotes containing the word impact:
“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.”
—Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)
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—Walter Bagehot (1826–1877)