1900 in Music - Recorded Popular Music

Recorded Popular Music

  • "American Patrol"
    - Sousa's Band
  • "A Bird in a Gilded Cage"
    - Harry Macdonough
  • "Doan Ye Cry, Mah Honey"
    - S. H. Dudley
  • "The Duchess Of Central Park"
    - Harry Macdonough
  • "For Old Time's Sake"
    - Will F. Denny
  • "Just Because She Made Dem Goo-Goo Eyes"
    - Dan W. Quinn
  • "Lead, Kindly Light"
    - The Haydn Quartet
  • "A Love-Lorn Lily"
    - Harry Macdonough
  • "Ma Blushin' Rosie"
    - Albert C. Campbell
  • "My Sunflower Sue"
    - Arthur Collins with The Metropolitan Orchestra
  • "O! That We Two Were Maying"
    - Harry Macdonough & Florence Hayward
  • "Strike Up the Band"
    - Dan W. Quinn
  • "Tell Me Pretty Maiden"
    - Lyric Theatre Chorus p. Paul Rubens
  • "When Reuben Comes To Town"
    - Dan W. Quinn on Victor Records
  • "When You Were Sweet Sixteen"
    - Jere Mahoney
  • "Where The Sweet Magnolias Grow"
    - Haydn Quartet

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Famous quotes containing the words recorded, popular and/or music:

    “Fifty million Frenchmen can’t be wrong.”
    —Anonymous. Popular saying.

    Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.

    “The new sound-sphere is global. It ripples at great speed across languages, ideologies, frontiers and races.... The economics of this musical esperanto is staggering. Rock and pop breed concentric worlds of fashion, setting and life-style. Popular music has brought with it sociologies of private and public manner, of group solidarity. The politics of Eden come loud.”
    —George Steiner (b. 1929)

    “I fear I agree with your friend in not liking all sermons. Some of them, one has to confess, are rubbish: but then I release my attention from the preacher, and go ahead in any line of thought he may have started: and his after-eloquence acts as a kind of accompaniment—like music while one is reading poetry, which often, to me, adds to the effect.”
    —Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)