18th Academy Awards - Awards

Awards

Winners are listed first and highlighted in boldface.

Best Motion Picture Best Director
  • Charles Brackett for Paramount Pictures - The Lost Weekend
    • Joe Pasternak for Metro-Goldwyn-Mayer - Anchors Aweigh
    • Leo McCarey for RKO Radio Pictures - The Bells of St. Mary's
    • Jerry Wald for Warner Bros. - Mildred Pierce
    • David O. Selznick for United Artists - Spellbound
  • Billy Wilder – The Lost Weekend
    • Clarence Brown – National Velvet
    • Alfred Hitchcock – Spellbound
    • Leo McCarey – The Bells of St. Mary's
    • Jean Renoir – The Southerner
Best Actor Best Actress
  • Ray Milland – The Lost Weekend
    • Bing Crosby – The Bells of St. Mary's
    • Gene Kelly – Anchors Aweigh
    • Gregory Peck – The Keys of the Kingdom
    • Cornel Wilde – A Song to Remember
  • Joan Crawford – Mildred Pierce
    • Ingrid Bergman – The Bells of St. Mary's
    • Jennifer Jones – Love Letters
    • Greer Garson – The Valley of Decision
    • Gene Tierney – Leave Her to Heaven
Best Supporting Actor Best Supporting Actress
  • James Dunn – A Tree Grows in Brooklyn
    • Michael Chekhov – Spellbound
    • J. Carrol Naish – A Medal for Benny
    • John Dall – The Corn Is Green
    • Robert Mitchum – The Story of G.I. Joe
  • Anne Revere – National Velvet
    • Eve Arden – Mildred Pierce
    • Ann Blyth – Mildred Pierce
    • Angela Lansbury – The Picture of Dorian Gray
    • Joan Lorring – The Corn Is Green
Best Original Screenplay Best Adapted Screenplay
  • Marie-Louise – Richard Schweizer
    • Music for Millions – Myles Connolly
    • Salty O'Rourke – Milton Holmes
    • What Next, Corporal Hargrove? – Harry Kurnitz
    • Dillinger – Philip Yordan
  • The Lost Weekend – Charles Brackett and Billy Wilder
    • The Story of G.I. Joe – Leopold Atlas, Guy Endore and Philip Stevenson
    • A Tree Grows in Brooklyn – Frank Davis and Tess Slesinger
    • Mildred Pierce – Ranald MacDougall
    • Pride of the Marines – Albert Maltz
Best Story Best Animated Short Film
  • The House on 92nd Street – Charles G. Booth
    • Objective, Burma! – Alvah Bessie
    • The Affairs of Susan – Laszlo Gorog and Thomas Monroe
    • A Song to Remember – Ernst Marischka
    • A Medal for Benny – John Steinbeck and Jack Wagner
  • Quiet Please!
    • Donald's Crime
    • Jasper and the Beanstalk
    • Life with Feathers
    • Mighty Mouse in Gypsy Life
    • The Poet and Peasant
    • Rippling Romance
Best Documentary Feature Best Documentary Short
  • The True Glory
    • The Last Bomb
  • Hitler Lives?
    • Library of Congress
    • To the Shores of Iwo Jima
Best Live Action Short Film, One-Reel Best Live Action Short Film, Two-Reel
  • Stairway to Light – Herbert Moulton
    • Along the Rainbow Trail – Edmund Reek
    • Screen Snapshots' 25th Anniversary – Ralph Staub
    • Story of a Dog – Gordon Hollingshead
    • White Rhapsody – Grantland Rice
    • Your National Gallery – Joseph O'Brien and Thomas Mead
  • Star in the Night – Gordon Hollingshead
    • A Gun in His Hand – Chester Franklin
    • The Jury Goes Round 'N' Round – Jules White
    • The Little Witch – George Templeton
Best Dramatic or Comedy Score Best Musical Score
  • Spellbound – Miklos Rozsa
    • Guest Wife – Daniele Amfitheatrof
    • The Story of G.I. Joe – Louis Applebaum and Ann Ronell
    • Flame of Barbary Coast – Dale Butts and Morton Scott
    • The Bells of St. Mary's – Robert Emmett Dolan
    • Brewster's Millions – Lou Forbes
    • The Woman in the Window – Hugo Friedhofer and Arthur Lange
    • The Man Who Walked Alone – Karl Hajos
    • Captain Kidd – Werner Janssen
    • Guest in the House – Werner Janssen
    • The Southerner – Werner Janssen
    • G. I. Honeymoon – Edward J. Kay
    • The Keys of the Kingdom – Alfred Newman
    • The Lost Weekend – Miklos Rozsa
    • A Song to Remember – Miklos Rozsa and Morris Stoloff
    • This Love of Ours – H. J. Salter
    • The Valley of Decision – Herbert Stothart
    • Paris Underground – Alexander Tansman
    • Objective, Burma – Franz Waxman
    • The Enchanted Cottage – Roy Webb
    • Love Letters – Victor Young
  • Anchors Aweigh – Georgie Stoll
    • Incendiary Blonde – Robert Emmett Dolan
    • Wonder Man – Lou Forbes and Ray Heindorf
    • Why Girls Leave Home – Walter Greene
    • Rhapsody in Blue – Ray Heindorf and Max Steiner
    • State Fair – Charles Henderson and Alfred Newman
    • Sunbonnet Sue – Edward J. Kay
    • Can't Help Singing – Jerome Kern and H. J. Salter
    • Belle of the Yukon – Arthur Lange
    • The Three Caballeros – Edward Plumb, Paul J. Smith and Charles Wolcott
    • Hitchhike to Happiness – Morton Scott
    • Tonight and Every Night – Marlin Skiles and Morris Stoloff
Best Original Song Best Sound Recording
  • "It Might as Well Be Spring" from State Fair – Music by Richard Rodgers; Lyric by Oscar Hammerstein II
    • "Accentuate the Positive" from Here Come the Waves – Music by Harold Arlen; Lyric by Johnny Mercer
    • "Anywhere" from Tonight and Every Night – Music by Jule Styne; Lyric by Sammy Cahn
    • "Aren't You Glad You're You" from The Bells of St. Mary's – Music by James Van Heusen; Lyric by Johnny Burke
    • "The Cat and the Canary" from Why Girls Leave Home – Music by Jay Livingston; Lyric by Ray Evans
    • "Endlessly" from Earl Carroll Vanities – Music by Walter Kent; Lyric by Kim Gannon
    • "I Fall in Love Too Easily" from Anchors Aweigh – Music by Jule Styne; Lyric by Sammy Cahn
    • "I'll Buy That Dream" from Sing Your Way Home – Music by Allie Wrubel; Lyric by Herb Magidson
    • "Linda" from The Story of G.I. Joe – Music and Lyric by Ann Ronell
    • "Love Letters" from Love Letters – Music by Victor Young; Lyric by Eddie Heyman
    • "More and More" from Can't Help Singing – Music by Jerome Kern; Lyric by E. Y. Harburg
    • "Sleighride in July" from Belle of the Yukon – Music by James Van Heusen; Lyric by Johnny Burke
    • "So in Love" from Wonder Man – Music by David Rose; Lyric by Leo Robin
    • "Some Sunday Morning" from San Antonio – Music by Ray Heindorf and M. K. Jerome; Lyric by Ted Koehler
  • The Bells of St. Mary's – Stephen Dunn, RKO Radio Studio Sound Department
    • A Song to Remember – John P. Livadary, Columbia Studio Sound Department
    • The Southerner – Jack Whitney, General Service
    • They Were Expendable – Douglas Shearer, MGM Studio Sound Department
    • The Unseen – Loren L. Ryder, Paramount Studio Sound Department
    • Three Is a Family – W. V. Wolfe, RCA Sound
    • Flame of Barbary Coast – Daniel J. Bloomberg, Republic Studio Sound Department
    • Wonder Man – Gordon Sawyer, Samuel Goldwyn Studio Sound Department
    • Leave Her to Heaven – Thomas T. Moulton, Fox Studio Sound Department
    • Lady on a Train – Bernard B. Brown, Universal Studio Sound Department
    • The Three Caballeros – C. O. Slyfield, Walt Disney Studio Sound Department
    • Rhapsody in Blue – Nathan Levinson, Warner Bros. Studio Sound Department
Best Art Direction, Black and White Best Art Direction, Color
  • Blood on the Sun – Art Direction: Wiard Ihnen; Set Decoration: A. Roland Fields
    • The Keys of the Kingdom – Art Direction: James Basevi and William S. Darling; Set Decoration: Thomas Little and Frank E. Hughes
    • Experiment Perilous – Art Direction: Albert S. D'Agostino and Jack Okey; Set Decoration: Darrell Silvera and Claude Carpenter
    • Love Letters – Art Decoration: Hans Dreier and Roland Anderson; Set Decoration: Sam Comer and Ray Moyer
    • The Picture of Dorian Gray – Art Direction: Cedric Gibbons and Hans Peters; Set Decoration: Edwin B. Willis, John Bonar and Hugh Hunt
  • Frenchman's Creek – Art Direction: Hans Dreier and Ernst Fegte; Set Decoration: Sam Comer
    • National Velvet – Art Direction: Cedric Gibbons and Urie McCleary; Set Decoration: Edwin B. Willis and Mildred Griffiths
    • A Thousand and One Nights – Art Direction: Stephen Goosson and Rudolph Sternad; Set Decoration: Frank Tuttle
    • San Antonio – Art Direction: Ted Smith; Set Decoration: Jack McConaghy
    • Leave Her to Heaven – Art Direction: Lyle Wheeler and Maurice Ransford; Set Decoration: Thomas Little
Best Cinematography, Black and White Best Cinematography, Color
  • The Picture of Dorian Gray – Harry Stradling
    • Spellbound – George Barnes
    • Mildred Pierce – Ernest Haller
    • The Keys of the Kingdom – Arthur C. Miller
    • The Lost Weekend – John F. Seitz
  • Leave Her to Heaven – Leon Shamroy
    • The Spanish Main – George Barnes
    • A Song to Remember – Tony Gaudio and Allen M. Davey
    • Anchors Aweigh – Robert Planck and Charles P. Boyle
    • National Velvet – Leonard Smith
Best Film Editing Best Visual Effects
  • National Velvet – Robert J. Kern
    • Objective, Burma! – George Amy
    • The Lost Weekend – Doane Harrison
    • The Bells of St. Mary's – Harry Marker
    • A Song to Remember – Charles Nelson
  • Wonder Man – Photography: John P. Fulton; Sound: Arthur W. Johns
    • A Thousand and One Nights – Photography: Lawrence W. Butler; Sound: Ray Bomba
    • Spellbound – Photography and Sound: Jack Cosgrove
    • They Were Expendable – Photography: A. Arnold Gillespie, Donald Jahraus and Robert A. MacDonald; Sound: Michael Steinore
    • Captain Eddie – Photography: Fred Sersen and Sol Halprin; Sound: Roger Heman and Harry Leonard

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