18th-century French Literature

18th-century French literature is French literature written between 1715, the year of the death of King Louis XIV of France, and 1798, the year of the coup d’État of Bonaparte which brought the Consulate to power, concluded the French Revolution, and began the modern era of French history. This century of enormous economic, social, intellectual and political transformation produced two important literary and philosophical movements: The Lumières, who questioned all existing institutions, including the church and state,and applied rationalism and scientific analysis to society; and a very different movement, which emerged in reaction to the first movement; the beginnings of Romanticism, which exalted the role of emotion in art and life.

In common with a similar movement in England at the same time, the writers of 18th century France were critical, skeptical and innovative. Their lasting contributions were the ideas of liberty, toleration, humanitarianism, equality, and progress, which became the ideals of modern western democracy.

Read more about 18th-century French Literature:  Context, The Philosophes and The Literature of Ideas, French Theater in The 18th Century, The French Novel in The 18th Century, The Birth of The Autobiography in The 18th Century, French Poetry of The 18th Century, Other Genres of 18th Century French Literature, Conclusions

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    Justice has its anger, my lord Bishop, and the wrath of justice is an element of progress. Whatever else may be said of it, the French Revolution was the greatest step forward by mankind since the coming of Christ. It was unfinished, I agree, but still it was sublime. It released the untapped springs of society; it softened hearts, appeased, tranquilized, enlightened, and set flowing through the world the tides of civilization. It was good. The French Revolution was the anointing of humanity.
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    The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.
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