1840s in Fashion - Children's Fashion

Children's Fashion

In this period, children's wear followed trends found in adult fashion. Wool and cashmere were popular textiles for baby cloaks while cotton was still widely accepted for toddler dresses, drawers and play wear. A popular silhouette for toddlers was a cotton bodice, pleated skirt and long sleeves. Small boys (ages 3 through 6) commonly wore a Tunic suit, also known as "Hussar tunics". The jackets were fitted to the waist and then flared out to a full skirt ending at knee length. This was worn over trousers, or for very small boys with white drawers. A round-collared shirt was usually worn underneath the jacket. Elementary to older age boys wore an Eton suit, which was a short, waist-level jacket, trousers, round-collared shirts, vest and sometimes neckties. In 1840 flat caps were popularly worn for boys. Small girls wore cotton drawers, cotton chemise, petticoats and stockings. As girls got older in age they followed the trend of their mothers and began to wear stays or tight corsets

  • Young boy in tunic, shirt, and trousers, 1840

  • French boy, 1843–44

  • Prince Albert Edward, The future King Edward VII in a sailor suit, 1846

  • Fashion plate of young girl's costume, 1849

Read more about this topic:  1840s In Fashion

Famous quotes containing the words children and/or fashion:

    Some parents feel that if they introduce their children to alcohol gradually in the home environment, the children will learn to use alcohol in moderation. I’m not sure that’s such a good idea. First of all, alcohol is not healthy for the growing child. Second, introducing alcohol to a child suggests that you condone drinking—even to the point where you want to teach your child how to drink.
    Lawrence Balter (20th century)

    Fashion is primitive in its insistence on exhibitionism, which withers in isolation. The catwalk fashion show with its incandescent hype is its apotheosis. A ritualized gathering of connoiseurs and the spoilt at a spotlit parade of snazzy pulchritude, it is an industrialized version of the pagan festivals of renewal. At the end of each seasonal display, a priesthood is enjoined to carry news of the omens to the masses.
    Stephen Bayley (b. 1951)