Children's Fashion
In this period, children's wear followed trends found in adult fashion. Wool and cashmere were popular textiles for baby cloaks while cotton was still widely accepted for toddler dresses, drawers and play wear. A popular silhouette for toddlers was a cotton bodice, pleated skirt and long sleeves. Small boys (ages 3 through 6) commonly wore a Tunic suit, also known as "Hussar tunics". The jackets were fitted to the waist and then flared out to a full skirt ending at knee length. This was worn over trousers, or for very small boys with white drawers. A round-collared shirt was usually worn underneath the jacket. Elementary to older age boys wore an Eton suit, which was a short, waist-level jacket, trousers, round-collared shirts, vest and sometimes neckties. In 1840 flat caps were popularly worn for boys. Small girls wore cotton drawers, cotton chemise, petticoats and stockings. As girls got older in age they followed the trend of their mothers and began to wear stays or tight corsets
-
Young boy in tunic, shirt, and trousers, 1840
-
French boy, 1843–44
-
Prince Albert Edward, The future King Edward VII in a sailor suit, 1846
-
Fashion plate of young girl's costume, 1849
Read more about this topic: 1840s In Fashion
Famous quotes containing the words children and/or fashion:
“Unconditional love is loving your kids for who they are, not for what they do.... I don’t mean that we like or accept inappropriate behavior, but with unconditional love we love the children even at those times when we dislike their behavior. Unconditional love isn’t something you will achieve every minute of every day. But it is the thought we must hold in our hearts every day.”
—Stephanie Martson (20th century)
“His reversed body gracefully curved, his brown legs hoisted like a Tarentine sail, his joined ankles tacking, Van gripped with splayed hands the brow of gravity, and moved to and fro, veering and sidestepping, opening his mouth the wrong way, and blinking in the odd bilboquet fashion peculiar to eyelids in his abnormal position. Even more extraordinary than the variety and velocity of the movements he made in imitation of animal hind legs was the effortlessness of his stance.”
—Vladimir Nabokov (1899–1977)