Critical Reception
Vincent Canby of The New York Times observed, "The music is resolutely unmemorable. The lyrics sound as if they'd been written by someone high on root beer, and the book is familiar history — compressed here, stretched there — that has been gagged up and paced to Broadway's not inspiring standards. Yet Peter H. Hunt's screen version of 1776 ... insists on being so entertaining and, at times, even moving, that you might as well stop resisting it. This reaction, I suspect, represents a clear triumph of emotional associations over material ... is far from being a landmark of musical cinema, but it is the first film in my memory that comes close to treating seriously a magnificent chapter in the American history."
Roger Ebert of the Chicago Sun-Times gave it two stars and declared, "This is an insult to the real men who were Adams, Jefferson, Franklin and the rest ... The performances trapped inside these roles, as you might expect, are fairly dreadful. There are good actors in the movie (especially William Daniels as Adams and Donald Madden as John Dickinson), but they're forced to strut and posture so much that you wonder if they ever scratched or spit or anything ... I can hardly bear to remember the songs, much less discuss them. Perhaps I shouldn't. It is just too damn bad this movie didn't take advantage of its right to the pursuit of happiness."
Read more about this topic: 1776 (film)
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