16th Century in Literature - New Poetry

New Poetry

1514

    • The Aeneid -Francesco Maria Molzo's translation into Italian, in consecutive unrhymed verse (forerunner of Blank verse)

1550

    • Sir Thomas Wyatt - Pentential Psalms

1557

    • Giovanni Battista Giraldi - Ercole
    • Tottel's Miscellany

1562

    • The Tragical History of Romeus and Juliet - Arthur Brooke

1563

    • Barnabe Googe - Eclogues, Epitaphs, and Sonnets

1567

    • George Turberville - Epitaphs, Epigrams, Songs and Sonnets

1572

    • Luís de Camões - Os Lusíadas

1573

    • George Gascoigne - A Hundred Sundry Flowers

1575

    • Nicholas Breton - A Small Handful of Fragrant Flowers
    • George Gascoigne - The Posies

1576

    • The Paradise of Dainty Devices, the most popular of the Elizabethan verse miscellanies

1577

    • Nicholas Breton - The Works of a Young Wit and A Flourish upon Fancy

1579

    • Edmund Spenser - The Shepherd's Calendar

1582

    • Thomas Watson - Hekatompathia or Passionate Century of Love

1590

    • Sir Philip Sidney - Arcadia
    • Edmund Spenser - The Faerie Queene, Books 1-3

1591

    • Sir Philip Sidney - Astrophel and Stella (published posthumously)

1592

    • Henry Constable - Diana

1593

  • Michael Drayton - The Shepherd's Garland
    • Giles Fletcher, the Elder - Licia

1594

    • Michael Drayton - Peirs Gaveston

1595

    • Thomas Campion - *Poemata

1596

    • Sir John Davies - Orchestra, or a Poeme of Dauncing
    • Michael Drayton - The Civell Warres of Edward the Second and the Barrons
    • Edmund Spenser - The Faerie Queene, Books 1-6

1597

    • Michael Drayton - Englands Heroicall Epistles

1598

    • Lope de Vega
      • La Arcadia
      • La Dragontea

1599

    • Sir John Davies
      • Hymnes of Astraea
      • Nosce Teipsum
    • George Peele - The Love of King David and Faire Bethsabe

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Famous quotes containing the word poetry:

    Our noble King, King Henery the eighth,
    Ouer the riuer of Thames past hee.
    —Unknown. Sir Andrew Barton. . .

    English and Scottish Ballads (The Poetry Bookshelf)

    The man Shelley, in very truth, is not entirely sane, and Shelley’s poetry is not entirely sane either. The Shelley of actual life is a vision of beauty and radiance, indeed, but availing nothing, effecting nothing. And in poetry, no less than in life, he is a beautiful and ineffectual angel, beating in the void his luminous wings in vain.”
    Matthew Arnold (1822–1888)