14th Academy Awards - Awards

Awards

Winners are listed first and highlighted in boldface.

Outstanding Motion Picture Best Director
  • How Green Was My Valley
    • Blossoms in the Dust
    • Citizen Kane
    • Here Comes Mr. Jordan
    • Hold Back the Dawn
    • The Little Foxes
    • The Maltese Falcon
    • One Foot in Heaven
    • Sergeant York
    • Suspicion
  • John Ford – How Green Was My Valley
    • William Wyler – The Little Foxes
    • Alexander Hall – Here Comes Mr. Jordan
    • Howard Hawks – Sergeant York
    • Orson Welles – Citizen Kane
Best Actor Best Actress
  • Gary Cooper – Sergeant York
    • Walter Huston – All That Money Can Buy
    • Robert Montgomery – Here Comes Mr. Jordan
    • Cary Grant – Penny Serenade
    • Orson Welles – Citizen Kane
  • Joan Fontaine – Suspicion
    • Barbara Stanwyck – Ball of Fire
    • Olivia de Havilland – Hold Back the Dawn
    • Greer Garson – Blossoms in the Dust
    • Bette Davis – The Little Foxes
Best Supporting Actor Best Supporting Actress
  • Donald Crisp – How Green Was My Valley
    • James Gleason – Here Comes Mr. Jordan
    • Walter Brennan – Sergeant York
    • Charles Coburn – The Devil and Miss Jones
    • Sydney Greenstreet – The Maltese Falcon
  • Mary Astor – The Great Lie
    • Sara Allgood – How Green Was My Valley
    • Margaret Wycherly – Sergeant York
    • Patricia Collinge – The Little Foxes
    • Teresa Wright – The Little Foxes
Best Original Screenplay Best Adaptated Screenplay
  • Citizen Kane – Herman J. Mankiewicz and Orson Welles
    • Sergeant York – John Huston, Howard Koch, Abem Finkel and Harry Chandlee
    • Tall, Dark and Handsome – Karl Tunberg and Darrell Ware
    • The Devil and Miss Jones – Norman Krasna
    • Tom, Dick and Harry – Paul Jarrico
  • Here Comes Mr. Jordan – Sidney Buchman and Seton I. Miller
    • Hold Back the Dawn – Charles Brackett and Billy Wilder
    • How Green Was My Valley – Philip Dunne
    • The Little Foxes – Lillian Hellman
    • The Maltese Falcon – John Huston
Best Story Best Documentary Short
  • Here Comes Mr. Jordan – Harry Segall
    • Ball of Fire – Billy Wilder and Thomas Monroe
    • Meet John Doe – Richard Connell and Robert Presnell Sr.
    • Night Train to Munich – Gordon Wellesley
    • The Lady Eve – Monckton Hoffe
  • Churchill's Island – National Film Board of Canada and United Artists
    • Adventure in the Bronx – Film Associates
    • Bomber – U.S. Office for Emergency Management Film Unit and Motion Picture Committee Cooperating for National Defense
    • Christmas Under Fire – British Ministry of Information and Warner Bros.
    • A Letter From Home – British Ministry of Information and United Artists
    • Life of a Thoroughbred – Truman Talley and 20th Century Fox
    • Norway in RevoltThe March of Time and RKO Radio
    • A Place to Live – Philadelphia Housing Authority and Philadelphia Housing Association
    • Russian Soil – Amkino
    • Soldiers of the Sky – Truman Talley and 20th Century Fox
    • War Clouds in the Pacific – National Film Board of Canada and MGM
Best Live Action Short Film, One-Reel Best Live Action Short Film, Two-Reel
  • Of Pups and Puzzles – MGM
    • Army Champions – Pete Smith and MGM
    • Beauty and the Beach – Paramount
    • Down on the Farm – Paramount
    • Forty Boys and a Song – Warner Bros.
    • Kings of the Turf – Warner Bros.
    • Sagebrush and Silver – 20th Century Fox
  • Main Street on the March! – MGM
    • Alive in the Deep – Woodard Productions, Inc.
    • Forbidden Passage – MGM
    • The Gay Parisian – Warner Bros.
    • The Tanks Are Coming – U.S. Army and Warner Bros.
Best Animated Short Film
  • Lend a Paw – Walt Disney Productions and RKO Radio
    • Boogie Woogie Bugle Boy of Company B – Walter Lantz Productions and Universal
    • Hiawatha's Rabbit Hunt – Leon Schlesinger and Warner Bros.
    • How War Came – Columbia
    • The Night Before Christmas – MGM
    • Rhapsody in Rivets – Leon Schlesinger and Warner Bros.
    • Rhythm in the Ranks – George Pal Productions and Paramount
    • The Rookie Bear – MGM
    • Superman – Max Fleischer and Paramount
    • Truant Officer Donald – Walt Disney Productions and RKO Radio
Best Score of a Dramatic Picture Best Scoring of a Musical Picture
  • All That Money Can Buy – Bernard Herrmann
    • Back Street – Frank Skinner
    • Ball of Fire – Alfred Newman
    • Citizen Kane – Bernard Herrmann
    • Cheers for Miss Bishop – Edward Ward
    • How Green Was My Valley – Alfred Newman
    • Hold Back the Dawn – Victor Young
    • Ladies in Retirement – Morris Stoloff and Ernst Toch
    • King of the Zombies – Edward Kay
    • Dr. Jekyll and Mr. Hyde – Franz Waxman
    • Lydia – Miklós Rózsa
    • Mercy Island – Cy Feuer and Walter Scharf
    • Sergeant York – Max Steiner
    • So Ends Our Night – Louis Gruenberg
    • Sundown – Miklós Rózsa
    • Suspicion – Franz Waxman
    • Tanks a Million – Edward Ward
    • That Uncertain Feeling – Werner Heymann
    • The Little Foxes – Meredith Willson
    • This Woman Is Mine – Richard Hageman
  • Dumbo – Frank Churchill and Oliver Wallace
    • All-American Co-Ed – Edward Ward
    • Birth of the Blues – Robert Emmett Dolan
    • Buck Privates – Charles Previn
    • Ice-Capades – Cy Feuer
    • Sun Valley Serenade – Emil Newman
    • Sunny – Anthony Collins
    • The Chocolate Soldier – Herbert Stothart and Bronislau Kaper
    • The Strawberry Blonde – Heinz Roemheld
    • You'll Never Get Rich – Morris Stoloff
Best Original Song Best Sound Recording
  • "The Last Time I Saw Paris" from Lady Be Good – Music by Jerome Kern; Lyric by Oscar Hammerstein II
    • "Out of the Silence" from All-American Co-Ed – Music and Lyric by Lloyd B. Norlin
    • "Blues in the Night" from Blues in the Night – Music by Harold Arlen; Lyric by Johnny Mercer
    • "Boogie Woogie Bugle Boy of Company B" from Buck Privates – Music by Hugh Prince; Lyric by Don Raye
    • "Baby Mine" from Dumbo – Music by Frank Churchill; Lyric by Ned Washington
    • "Dolores" from Las Vegas Nights – Music by Louis Alter; Lyric by Frank Loesser
    • "Be Honest With Me" from Ridin' on a Rainbow – Music and Lyric by Gene Autry and Fred Rose
    • "Chattanooga Choo Choo" from Sun Valley Serenade – Music by Harry Warren; Lyric by Mack Gordon
    • "Since I Kissed My Baby Goodbye" from You'll Never Get Rich – Music and Lyric by Cole Porter;
  • That Hamilton Woman – Jack Whitney, General Service Sound Department
    • Appointment for Love – Bernard B. Brown, Universal Studio Sound Department
    • Ball of Fire – Thomas T. Moulton, Samuel Goldwyn Studio Sound Department
    • Citizen Kane – John Aalberg, RKO Radio Studio Sound Department
    • How Green Was My Valley – E. H. Hansen, Fox Studio Sound Department
    • Sergeant York – Nathan Levinson, Warner Bros. Studio Sound Department
    • Skylark – Loren Ryder, Paramount Studio Sound Department
    • The Chocolate Soldier – Douglas Shearer, MGM Studio Sound Department
    • The Devil Pays Off – Charles Lootens, Republic Studio Sound Department
    • The Men in Her Life – John Livadary, Columbia Studio Sound Department
    • Topper Returns – Elmer Raguse, Hal Roach Studio Sound Department
Best Art Direction, Black and White Best Art Direction, Color
  • How Green Was My Valley – Art Direction: Richard Day and Nathan Juran; Set Decoration: Thomas Little
    • Hold Back the Dawn – Art Direction: Hans Dreier and Robert Usher; Set Decoration: Sam Comer
    • Sundown – Art Direction: Alexander Golitzen; Set Decoration: Richard Irvine
    • Citizen Kane – Art Direction: Perry Ferguson and Van Nest Polglase; Set Decoration: Al Fields and Darrell Silvera
    • Ladies in Retirement – Art Direction: Lionel Banks; Set Decoration: George Montgomery
    • Sergeant York – Art Direction: John Hughes; Set Decoration: Fred MacLean
    • The Little Foxes – Art Direction: Stephen Goosson; Set Decoration: Howard Bristol
    • That Hamilton Woman – Art Direction: Vincent Korda; Set Decoration: Julia Heron
    • The Son of Monte Cristo – Art Direction: John DuCasse Schulze; Set Decoration: Edward G. Boyle
    • When Ladies Meet – Art Direction: Cedric Gibbons and Randall Duell; Set Decoration: Edwin B. Willis
    • The Flame of New Orleans – Art Direction: Martin Obzina and Jack Otterson; Set Decoration: Russell A. Gausman
  • Blossoms in the Dust – Art Direction: Cedric Gibbons and Urie McCleary; Set Decoration: Edwin B. Willis
    • Blood and Sand – Art Direction: Richard Day and Joseph C. Wright; Set Decoration: Thomas Little
    • Louisiana Purchase – Art Direction: Raoul Pene du Bois; Set Decoration: Stephen A. Seymour
Best Cinematography, Black and White Best Cinematography, Color
  • How Green Was My Valley – Arthur C. Miller
    • Citizen Kane – Gregg Toland
    • Here Comes Mr. Jordan – Joseph Walker
    • Dr.Jekyll and Mr. Hyde – Joseph Ruttenberg
    • Hold Back the Dawn – Leo Tover
    • Sergeant York – Sol Polito
    • Sun Valley Serenade – Edward Cronjager
    • Sundown – Charles Lang
    • That Hamilton Woman – Rudolph Maté
    • The Chocolate Soldier – Karl Freund
  • Blood and Sand – Ernest Palmer and Ray Rennahan
    • Aloma of the South Seas – Wilfred M. Cline, Karl Struss and William Snyder
    • Billy the Kid – William V. Skall and Leonard Smith
    • Blossoms in the Dust – Karl Freund and W. Howard Greene
    • Dive Bomber – Bert Glennon
    • Louisiana Purchase – Harry Hallenberger and Ray Rennahan
Best Film Editing Best Visual Effects
  • Sergeant York – William Holmes
    • Citizen Kane – Robert Wise
    • How Green Was My Valley – James B. Clark
    • Dr. Jekyll and Mr. Hyde – Harold F. Kress
    • The Little Foxes – Daniel Mandell
  • I Wanted Wings – Photography: Farciot Edouart and Gordon Jennings; Sound: Louis Mesenkop
    • A Yank in the RAF – Photography: Fred Sersen; Sound: E.H. Hansen
    • Aloma of the South Seas – Photography: Farciot Edouart and Gordon Jennings; Sound: Louis Mesenkop
    • Flight Command – Photography: A. Arnold Gillespie; Sound: Douglas Shearer
    • The Invisible Woman – Photography: John P. Fulton; Sound: John Hall
    • That Hamilton Woman – Photography: Lawrence Butler; Sound: William H. Wilmarth
    • The Sea Wolf – Photography: Byron Haskin; Sound: Nathan Levinson
    • Topper Returns – Photography: Roy Seawright; Sound: Elmer Raguse

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