Outstanding Motion Picture |
Best Director |
- How Green Was My Valley
- Blossoms in the Dust
- Citizen Kane
- Here Comes Mr. Jordan
- Hold Back the Dawn
- The Little Foxes
- The Maltese Falcon
- One Foot in Heaven
- Sergeant York
- Suspicion
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- John Ford – How Green Was My Valley
- William Wyler – The Little Foxes
- Alexander Hall – Here Comes Mr. Jordan
- Howard Hawks – Sergeant York
- Orson Welles – Citizen Kane
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Best Actor |
Best Actress |
- Gary Cooper – Sergeant York
- Walter Huston – All That Money Can Buy
- Robert Montgomery – Here Comes Mr. Jordan
- Cary Grant – Penny Serenade
- Orson Welles – Citizen Kane
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- Joan Fontaine – Suspicion
- Barbara Stanwyck – Ball of Fire
- Olivia de Havilland – Hold Back the Dawn
- Greer Garson – Blossoms in the Dust
- Bette Davis – The Little Foxes
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Best Supporting Actor |
Best Supporting Actress |
- Donald Crisp – How Green Was My Valley
- James Gleason – Here Comes Mr. Jordan
- Walter Brennan – Sergeant York
- Charles Coburn – The Devil and Miss Jones
- Sydney Greenstreet – The Maltese Falcon
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- Mary Astor – The Great Lie
- Sara Allgood – How Green Was My Valley
- Margaret Wycherly – Sergeant York
- Patricia Collinge – The Little Foxes
- Teresa Wright – The Little Foxes
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Best Original Screenplay |
Best Adaptated Screenplay |
- Citizen Kane – Herman J. Mankiewicz and Orson Welles
- Sergeant York – John Huston, Howard Koch, Abem Finkel and Harry Chandlee
- Tall, Dark and Handsome – Karl Tunberg and Darrell Ware
- The Devil and Miss Jones – Norman Krasna
- Tom, Dick and Harry – Paul Jarrico
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- Here Comes Mr. Jordan – Sidney Buchman and Seton I. Miller
- Hold Back the Dawn – Charles Brackett and Billy Wilder
- How Green Was My Valley – Philip Dunne
- The Little Foxes – Lillian Hellman
- The Maltese Falcon – John Huston
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Best Story |
Best Documentary Short |
- Here Comes Mr. Jordan – Harry Segall
- Ball of Fire – Billy Wilder and Thomas Monroe
- Meet John Doe – Richard Connell and Robert Presnell Sr.
- Night Train to Munich – Gordon Wellesley
- The Lady Eve – Monckton Hoffe
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- Churchill's Island – National Film Board of Canada and United Artists
- Adventure in the Bronx – Film Associates
- Bomber – U.S. Office for Emergency Management Film Unit and Motion Picture Committee Cooperating for National Defense
- Christmas Under Fire – British Ministry of Information and Warner Bros.
- A Letter From Home – British Ministry of Information and United Artists
- Life of a Thoroughbred – Truman Talley and 20th Century Fox
- Norway in Revolt – The March of Time and RKO Radio
- A Place to Live – Philadelphia Housing Authority and Philadelphia Housing Association
- Russian Soil – Amkino
- Soldiers of the Sky – Truman Talley and 20th Century Fox
- War Clouds in the Pacific – National Film Board of Canada and MGM
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Best Live Action Short Film, One-Reel |
Best Live Action Short Film, Two-Reel |
- Of Pups and Puzzles – MGM
- Army Champions – Pete Smith and MGM
- Beauty and the Beach – Paramount
- Down on the Farm – Paramount
- Forty Boys and a Song – Warner Bros.
- Kings of the Turf – Warner Bros.
- Sagebrush and Silver – 20th Century Fox
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- Main Street on the March! – MGM
- Alive in the Deep – Woodard Productions, Inc.
- Forbidden Passage – MGM
- The Gay Parisian – Warner Bros.
- The Tanks Are Coming – U.S. Army and Warner Bros.
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Best Animated Short Film |
- Lend a Paw – Walt Disney Productions and RKO Radio
- Boogie Woogie Bugle Boy of Company B – Walter Lantz Productions and Universal
- Hiawatha's Rabbit Hunt – Leon Schlesinger and Warner Bros.
- How War Came – Columbia
- The Night Before Christmas – MGM
- Rhapsody in Rivets – Leon Schlesinger and Warner Bros.
- Rhythm in the Ranks – George Pal Productions and Paramount
- The Rookie Bear – MGM
- Superman – Max Fleischer and Paramount
- Truant Officer Donald – Walt Disney Productions and RKO Radio
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Best Score of a Dramatic Picture |
Best Scoring of a Musical Picture |
- All That Money Can Buy – Bernard Herrmann
- Back Street – Frank Skinner
- Ball of Fire – Alfred Newman
- Citizen Kane – Bernard Herrmann
- Cheers for Miss Bishop – Edward Ward
- How Green Was My Valley – Alfred Newman
- Hold Back the Dawn – Victor Young
- Ladies in Retirement – Morris Stoloff and Ernst Toch
- King of the Zombies – Edward Kay
- Dr. Jekyll and Mr. Hyde – Franz Waxman
- Lydia – Miklós Rózsa
- Mercy Island – Cy Feuer and Walter Scharf
- Sergeant York – Max Steiner
- So Ends Our Night – Louis Gruenberg
- Sundown – Miklós Rózsa
- Suspicion – Franz Waxman
- Tanks a Million – Edward Ward
- That Uncertain Feeling – Werner Heymann
- The Little Foxes – Meredith Willson
- This Woman Is Mine – Richard Hageman
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- Dumbo – Frank Churchill and Oliver Wallace
- All-American Co-Ed – Edward Ward
- Birth of the Blues – Robert Emmett Dolan
- Buck Privates – Charles Previn
- Ice-Capades – Cy Feuer
- Sun Valley Serenade – Emil Newman
- Sunny – Anthony Collins
- The Chocolate Soldier – Herbert Stothart and Bronislau Kaper
- The Strawberry Blonde – Heinz Roemheld
- You'll Never Get Rich – Morris Stoloff
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Best Original Song |
Best Sound Recording |
- "The Last Time I Saw Paris" from Lady Be Good – Music by Jerome Kern; Lyric by Oscar Hammerstein II
- "Out of the Silence" from All-American Co-Ed – Music and Lyric by Lloyd B. Norlin
- "Blues in the Night" from Blues in the Night – Music by Harold Arlen; Lyric by Johnny Mercer
- "Boogie Woogie Bugle Boy of Company B" from Buck Privates – Music by Hugh Prince; Lyric by Don Raye
- "Baby Mine" from Dumbo – Music by Frank Churchill; Lyric by Ned Washington
- "Dolores" from Las Vegas Nights – Music by Louis Alter; Lyric by Frank Loesser
- "Be Honest With Me" from Ridin' on a Rainbow – Music and Lyric by Gene Autry and Fred Rose
- "Chattanooga Choo Choo" from Sun Valley Serenade – Music by Harry Warren; Lyric by Mack Gordon
- "Since I Kissed My Baby Goodbye" from You'll Never Get Rich – Music and Lyric by Cole Porter;
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- That Hamilton Woman – Jack Whitney, General Service Sound Department
- Appointment for Love – Bernard B. Brown, Universal Studio Sound Department
- Ball of Fire – Thomas T. Moulton, Samuel Goldwyn Studio Sound Department
- Citizen Kane – John Aalberg, RKO Radio Studio Sound Department
- How Green Was My Valley – E. H. Hansen, Fox Studio Sound Department
- Sergeant York – Nathan Levinson, Warner Bros. Studio Sound Department
- Skylark – Loren Ryder, Paramount Studio Sound Department
- The Chocolate Soldier – Douglas Shearer, MGM Studio Sound Department
- The Devil Pays Off – Charles Lootens, Republic Studio Sound Department
- The Men in Her Life – John Livadary, Columbia Studio Sound Department
- Topper Returns – Elmer Raguse, Hal Roach Studio Sound Department
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Best Art Direction, Black and White |
Best Art Direction, Color |
- How Green Was My Valley – Art Direction: Richard Day and Nathan Juran; Set Decoration: Thomas Little
- Hold Back the Dawn – Art Direction: Hans Dreier and Robert Usher; Set Decoration: Sam Comer
- Sundown – Art Direction: Alexander Golitzen; Set Decoration: Richard Irvine
- Citizen Kane – Art Direction: Perry Ferguson and Van Nest Polglase; Set Decoration: Al Fields and Darrell Silvera
- Ladies in Retirement – Art Direction: Lionel Banks; Set Decoration: George Montgomery
- Sergeant York – Art Direction: John Hughes; Set Decoration: Fred MacLean
- The Little Foxes – Art Direction: Stephen Goosson; Set Decoration: Howard Bristol
- That Hamilton Woman – Art Direction: Vincent Korda; Set Decoration: Julia Heron
- The Son of Monte Cristo – Art Direction: John DuCasse Schulze; Set Decoration: Edward G. Boyle
- When Ladies Meet – Art Direction: Cedric Gibbons and Randall Duell; Set Decoration: Edwin B. Willis
- The Flame of New Orleans – Art Direction: Martin Obzina and Jack Otterson; Set Decoration: Russell A. Gausman
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- Blossoms in the Dust – Art Direction: Cedric Gibbons and Urie McCleary; Set Decoration: Edwin B. Willis
- Blood and Sand – Art Direction: Richard Day and Joseph C. Wright; Set Decoration: Thomas Little
- Louisiana Purchase – Art Direction: Raoul Pene du Bois; Set Decoration: Stephen A. Seymour
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Best Cinematography, Black and White |
Best Cinematography, Color |
- How Green Was My Valley – Arthur C. Miller
- Citizen Kane – Gregg Toland
- Here Comes Mr. Jordan – Joseph Walker
- Dr.Jekyll and Mr. Hyde – Joseph Ruttenberg
- Hold Back the Dawn – Leo Tover
- Sergeant York – Sol Polito
- Sun Valley Serenade – Edward Cronjager
- Sundown – Charles Lang
- That Hamilton Woman – Rudolph Maté
- The Chocolate Soldier – Karl Freund
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- Blood and Sand – Ernest Palmer and Ray Rennahan
- Aloma of the South Seas – Wilfred M. Cline, Karl Struss and William Snyder
- Billy the Kid – William V. Skall and Leonard Smith
- Blossoms in the Dust – Karl Freund and W. Howard Greene
- Dive Bomber – Bert Glennon
- Louisiana Purchase – Harry Hallenberger and Ray Rennahan
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Best Film Editing |
Best Visual Effects |
- Sergeant York – William Holmes
- Citizen Kane – Robert Wise
- How Green Was My Valley – James B. Clark
- Dr. Jekyll and Mr. Hyde – Harold F. Kress
- The Little Foxes – Daniel Mandell
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- I Wanted Wings – Photography: Farciot Edouart and Gordon Jennings; Sound: Louis Mesenkop
- A Yank in the RAF – Photography: Fred Sersen; Sound: E.H. Hansen
- Aloma of the South Seas – Photography: Farciot Edouart and Gordon Jennings; Sound: Louis Mesenkop
- Flight Command – Photography: A. Arnold Gillespie; Sound: Douglas Shearer
- The Invisible Woman – Photography: John P. Fulton; Sound: John Hall
- That Hamilton Woman – Photography: Lawrence Butler; Sound: William H. Wilmarth
- The Sea Wolf – Photography: Byron Haskin; Sound: Nathan Levinson
- Topper Returns – Photography: Roy Seawright; Sound: Elmer Raguse
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