Production
The series is animated in the style of crude drawings with limited motion. The usage of firearms, alcohol consumption, and indifferent homicidal acts are common activities of the psychopathic lead character Mouse Fitzgerald. The plot revolves around a bizarre conspiracy which is constantly building on itself and taking seemingly nonsensical twists and turns. At times the narrative becomes obfuscated or nonlinear, but it simultaneously reveals connections that hint at an objective story. The dialogue is cryptic; clues and secret messages are hidden throughout each episode, including the credits. Creator Matt Maiellaro has indicated that the development of 12 oz. Mouse was influenced in part by the Theatre of the Absurd, and surrealistic films such as those by director David Lynch. Written in serial format, each episode picks up where the previous one left off.
In early airings, the show is also known as "oz. Mo." In the title sequence, the "camera" was so close to the "12 oz. Mouse" title card that only the characters "oz. Mo" were visible. However, it was later discovered that "Ozmo" is the name of an educational cartoon produced by the BBC.
The animation for the character Shark originates from the Sealab 2020 cartoon, from which clips were used to create the majority of the animation in the Sealab 2021 show on Adult Swim. The shark animation first appeared on Adult Swim on the show Space Ghost Coast to Coast, which Space Ghost referred to him as "Old Kentucky Shark." The shark later appeared towards the end of an Aqua Teen Hunger Force episode entitled "Escape From Leprauchpolis."
Animation for the series was done by Radical Axis, who also animates Maiellaro's Aqua Teen Hunger Force.
Maiellaro commissioned Lexington, Kentucky cowpunk band Nine Pound Hammer to write and perform the opening theme song. Scott Luallen, the voice of Roostre, is also the lead singer of Nine Pound Hammer.
Read more about this topic: 12 Oz. Mouse
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—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
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